Friday, August 11, 2017

Shooting Guns album streaming in full, Netflix hit 'WolfCop' composers & Juno Prize nominees' new album on RidingEasy Records


"The instrumental psych-rock band knows how to choogle, burn and rip like Hawkwind thrown into the middle of a Mad Max set. That's why director Lowell Dean tapped Shooting Guns to score Wolfcop, a 2014 horror-comedy that's exactly as ridiculous/awesome as you think it is." -- NPR


Canada's award-nominated psych 6-piece Shooting Guns stream their new album Flavour Country today via Bandcamp and YouTube (links cleared for posting.) 

The Obelisk recently shared the title track in their album review HEREExclaim! previously launched the blistering lead track "French Safe" HERE.

Shooting Guns is known (and oft-nominated) for their film soundtrack work, but Flavour Country is more like a collection of anthems for your jettison from this universe into the multiverse. 

While they're known for heavy and saturated sounds befitting crazed horror-comedy flicks like Netflix hit WolfCop, Flavour Country features some of the band's fastest, heaviest and most visceral material to date. Yet, it also features some of the band's most atmospheric sounds as well. 

At times there are slight hints of Ennio Morricone's Spaghetti Western twang amidst the looping Meddle-era Pink Floyd heavy psych and driving drone reminiscent of Bobby Beausoleil's belladonna laced soundtrack to Kenneth Anger's Lucifer Rising. But for the most part here, Shooting Guns is out for blood, regardless of tempo. 

Album opener "Ride Free" kicks off with a blistering wall of guitars blaring and rattling out of the gate like mutant progeny to fellow Canadian biker-rock heroes Steppenwolf having duly fired all of the guns, exploded into space and returned to hunt down every last one of us. It accelerates from there: "French Safe" sounds like an unhinged battalion of musicians driving full throttle like a scene from a George Miller Road Warrior movie. Biting, lengthier tracks like "Simian Shelf" and the title track occupy the heavy end of the psychedelic spectrum, haunting the foggy moor between early, bluesy Sabbath-styled doom riffery and heavy pulse-riding kraut-rock.

Flavour Country is the first album recorded by the band themselves at their own Pre-Rock Studios in Saskatoon, SK, located in the middle of the Canadian prairies. The album title's spelling is itself a nod to the band's Great White North homeland. The album was mastered by John McBain (ex-Monster Magnet, Carlton Melton), who also mastered the band's previous RidingEasy releases. 

Shooting Guns have toured over 60,000 miles across Canada over the past 7 years but have yet to tour Internationally, which will be a big focus for them after this release. They are touring their live score to F.W. Murnau's Nosferatu across Canada throughout 2017 and also just finished scoring the soundtrack to Another WolfCop (sequel to WolfCop), which is slated for a US theatrical release in September 2017. Their sophomore LP, Brotherhood of the Ram, released in 2013 through RidingEasy Records was nominated for the 2015 JUNO Metal/Hard Album of the Year as well as the Polaris Music Prize. Their debut LP, Born To Deal in Magic: 1952-1976, was also nominated for the Polaris Music Prize in 2012.

Flavour Country will be available on LP, CD and download on August 11th, 2017 via RidingEasy Records



Artist: Shooting Guns 
Album: Flavour Country 
Label: RidingEasy Records 
Release Date: August 11, 2017

01. Ride Free
02. French Safe
03. Beltwhip Snakecharmer 
04. Vampires of Industry 
05. Flavour Country
06. Black Leather Jacket 















On The Web:


Thursday, August 10, 2017

'Brown Acid: The Fifth Trip' compilation of rare 60s-70s pre-metal singles out on Halloween 2017


"So rare that diehard fuzz junkies say you'd have a better chance of winning the lottery than finding a physical 45 rpm single by one of the bands featured on their latest installment." -- Dangerous Minds

"A great distillation of what the underground was capable of back in the day, and still feels as fresh and poignant now." -- Clrvynt


The forthcoming latest edition of the popular compilation series of long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid: The Fifth Trip, is set for release on Halloween 2017. The series is curated by L.A. label RidingEasy Records and retailer/label Permanent Records. 

Hear and share the first single "Blowin' Smoke" by George Brigman (the 70s DIY hard rock version of Dead Moon’s Fred Cole) via YouTube and Bandcamp.

Dangerous Minds featured the previous collection, The Fourth Trip HERE

About Brown Acid: The Fifth Trip:

We’re back! And the hits just keep coming. For the fifth lysergic journey, we’ve assembled 10 heavy slabs of obscure rock the likes of which have never been seen before... not in this form anyhow. And as usual, the tracks from these impossibly rare records have all been fully cleared through the artists themselves. We’ve gone to great lengths to get the best possible master sources, the worst case scenario being an original 45. ‘Cuz it ain’t worth doing unless you do it right. 

The legendary Captain Foam kicks off this Trip like an anvil to your skull with a rollicking stomper sounding like The Who with Matt Pike’s thunderous guitar tone. “No Reason” is a track we’ve been wanting to share with you boneheads since the start. Captain Foam (aka Richard Bertram) wasn’t easy to find, but lo and behold, our super sleuths located him and got his blessing to include the A-side of his sole single here for you. Good luck finding an original copy of the record. It’s rarer than raw beef.

That’s just the tip of the iceberg. The other nine tracks continue the onslaught in typical Brown Acid form. You may be familiar with George Brigman’s psychedelic punk masterpiece “Jungle Rot”, but you don’t know Split until you’ve heard the charmingly disjointed bedroom-fi production of “Blowin’ Smoke”. Finch sounds way out of time (1968) and place (Milwaukee) on the grungeadelic anthem “Nothing In The Sun”. Cybernaut’s heavy prog - giving their Canadian cohorts Rush a run for their money - and Flasher’s “Icky Bicky” boogie prove beyond a shadow of a doubt that our neighbors to the north can rock with the best of ‘em. Meanwhile, Fargo’s hallucinogenic BBQ sauce soaked “Abaddon” and Mammoth’s fittingly beefy eponymous riff-monger continue the long line of heavies from the Lone Star State. Ohio based screamers Lance features members of Inside Experience, whom you might recall from the Third Trip. Zebra’s gritty rendition of “Helter Skelter” is most likely the way Charles Manson heard the song in his head. And finally, the mysterious and previously unheard Thor appears here exclusively and for the first time ever with their unknown 45 track “Lick It”. Many thanks to our pal Mike Vegh for turning us on to this one.

About the Brown Acid series:

Some of the best thrills of the Internet music revolution is the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a century -- particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins -- often hoarding them in private collections, or selling at ridiculous collector's prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks collected on Brown Acid: The Fifth Trip

Lance Barresi, co-owner of L.A./Chicago retailer Permanent Records has shown incredible persistence in tracking down a stellar collection of rare singles from the 60s and 70s for the growing compilation series. Partnered with Daniel Hall of RidingEasy Records, the two have assembled a selection of songs that's hard to believe have remained unheard for so long. 

"I essentially go through hell and high water just to find these records," Barresi says. "Once I find a record worthy of tracking, I begin the (sometimes) extremely arduous process of contacting the band members and encouraging them to take part. Daniel and I agree that licensing all the tracks we're using for Brown Acid is best for everyone involved," rather than simply bootlegging the tracks. When all of the bands and labels haven't existed for 30-40 years or more, tracking down the creators gives all of these tunes a real second chance at success. 

"There's a long list of songs that we'd love to include," Barresi says. "But we just can't track the bands down. I like the idea that Brown Acid is getting so much attention, so people might reach out to us."


Brown Acid: The Fifth Trip will be available everywhere on LP, CD and download on October 31st, 2017 via RidingEasy Records. Pre-orders are available for digital (with immediate download of the first single) at Bandcamp, physical pre-orders at RidingEasy Records


Artist: Various Artists
Album: Brown Acid: The Fifth Trip 
Label: RidingEasy Records
Release Date: October 31, 2017

01. Captain Foam "No Reason"
02. George Brigman "Blowin' Smoke"
03. Finch "Nothing In The Sun"
04. Cybernaut "Clockwork"
05. Fargo "Abaddon"
06. Mammoth "Mammoth"
07. Flasher "Icky Bicky"
08. Lance "Fireball"
09. Zebra "Helter Skelter"
10. Thor "Lick It"

On The Web:

Nick Oliveri (QOTSA, Kyuss) announces 'N.O. Hits At All, Vol. 3' w/ QOTSA, Hole, Kyuss, Saint Vitus members


Former Queens of the Stone AgeKyuss and Dwarves member Nick Oliveri announces the forthcoming collaborative album N.O. Hits At All, Vol. 3 via Heavy Psych Sounds label. Oliveri is joined by several members of his former bands, as well as Melissa Auf Der Mar (Hole, Smashing Pumpkins), Wino (Saint Vitus) and more. See track list below. 

"This record is volume 3 of a series of compilations in which I recorded the vocals," Oliveri says."Bands that I like and bands that like my singing voice enough to have asked me to 'guest vocal' on a song for their records. Some of these have been released and some have not, until now. I have sung and/or recorded bass on 50+ releases of bands I love and had the great honor to work with -- DWARVES * MONDO GENERATOR * SVETLANAS * Q.O.T.S.A. * KYUSS * BL’AST * BLOODCLOT * MASTERS OF REALITY * VISTA CHINO * MARK LANEGAN BAND * TURBONEGRO * DEATH ACOUSTIC * THE UNCONTROLLABLE -- to name a few.

"The good folks at Heavy Psych Sounds Records are releasing the series called N.O. Hits At All. Now for the first time, all these songs and bands I’ve recorded with over the past 25 years are together and available to you to trip out on. So get your head right and put this record on and play it loud. Stay tuned for Volume Four (coming soon)."

Oliveri's new band Bloodclot debuts on Metal Blade in March. First gig is Dec 17 at Regent Theatre in downtown Los Angeles. The band fatures John Joseph (Cro-Mags) , Todd Youth (Murphy's Law, Danzig) , Joey Castillo (QOTSA, Trash Talk, BL'AST!), and Mister Nick Oliveri!

Nick Steven Oliveri (born October 21, 1971) is an American musician from Palm Desert, California. He plays bass guitar, acoustic guitar, electric guitar, and is a vocalist. He is most widely known as a bassist with Kyuss, Queens of the Stone Age, and Dwarves, and has also performed with the reunited Kyuss under the names Kyuss Lives! and Vista Chino. As a bandleader, his main project is Mondo Generator, a punk/metal hybrid that he formed in 1997.

N.O. Hits At All, Vol. 3 will be available on LP and download on October 20th, 2017 via Heavy Psych Sounds


Artist: Nick Oliveri
Album: N.O. Hits At All, Vol. 3
Record Label: Heavy Psych Sounds Records
Release Date: October 20th, 2017


01. "R'N'R OUTLAW" By ROYALE DAEMONS 
(ROSE TATTOO)

Nick Oliveri - Bass & Vocals
Joey Castillo - Drums
Wino - Guitar

02. "LUV IS FICTION" By DWARVES 
(OLIVERI)

Nick Oliveri - Lead Vocals
The Fresh Prince Of Darkness - Lead Guitar
The Black Josh Freese - Drums
Rex Everything - Bass
Blag Dahlia And Stacey Dee - Backup Vocals
He Who Can Not Be Named - Guitar

03. "MEDICATION" By HE WHO CAN NOT BE NAMED 
(HE WHO CAN NOT BE NAMED)

Nick Oliveri - Lead Vocals
The Fresh Prince Of Darkness - Lead Guitar
Rectom - Drums
He Who Can Not Be Named - Guitar, Backup Vocals, Keys, Mask
Salt Peter - Bass

04. "KYUSS DIES!" By KYUSS LIVES! 
(OLIVERI)

Nick Oliveri - Bass & Vocals
Brant Bjork - Drums
Bruno Favery - Guitar

05. "COUNTRY AS FUCK" By PLAN B 
(MUSIC BY PLAN B / LYRICS BY OLIVERI)

Nick Oliveri - Vocals
Steve Soto - Guitar, Bass
Joey Castillo - Drums
Troy Van Leeuwen - Guitar

06. "THE MOB RULES" By MELISSA AUF DER MAUR'S HAND OF DOOM 
(IOMMI / BUTLER / DIO)

Nick Oliveri - Vocals
Melissa Auf Der Maur

Tuesday, August 8, 2017

PLAX (OBN IIIs, Spray Paint, Skeleton members) stream debut album in full ahead of release

"A hard wound and bruising rush of seasick proto-punk and lo-fi brawn. Built around staggering post-punk rhythms that twist and turn in tight zig-zagging shifts, Plax's debut is a rallying call, a brash and unforgiving record of scathing distortion and bleak sentiment." -- Post-Trash

"Melodic, abrasive, dark, intense and weird all at once, recalling the likes of post-punk icons like Wire or more contemporary groups like Protomartyr." -- Treble

"A revolutionary mixture of post-punk, basement hardcore, and outsider rock." -- Austin Chronicle


Austin, TX punk quartet PLAX is streaming their forthcoming debut album in its entirety starting today ahead of release. Hear and share Clean Feeling HERE

Austin Chronicle recently traced the local supergroup's origins (and surprising roots rock connection)in an insightful interview HERE. Culture Creature premiered "Not For You" HERETreble recently shared "Night Watch" HERENew Noise Magazine recently shared first single "Boring Story" HERE.

PLAX is Victor (Skeleton, Nosferatu), Marley (OBN IIIs, Sweet Talk), Chris (Spray Paint, Dikes of Holland, When Dinosaurs Ruled the Earth) and Michael (OBN IIIs, eetsFEATS). Recorded by Ian Rundell in Austin, TX.

In the summer of 2016 Michael Goodwin approached his longtime friend Chris "Anton" Stevenson and current band-mate in OBN III's Marley Jones. The subject: starting a new outsider punk band that defies all conventional expectations. The three quickly wrote 9 songs for a demo, but were still in need of a vocalist. At the time, Marley was playing drums in the ever-evolving Skeleton, formed and fronted by the Ziolkowski brothers, David and Victor. Michael and Anton approached Victor and solidified the PLAX lineup with Victor on vocals. Their first show was July 28th, 2016 at Ikee's house with New Orleans Total Punk ragers, PATSY. From here they went on to play with top tier Texas bands CROOKED BANGS, INSTITUTE and ARMY. Their sound; an evolving whirlwind of WIRE influenced post-punk to the straight pogo-punk of DAWN OF HUMANS. They toured Texas in January of 2017 and in March of 2017 Anton relocated to Melbourne and now, being a global sensation, PLAX continues to write and record songs with their original four.

Clean Feeling will be available on LP, CD and download on August 11th via Super Secret Records.



Artist: PLAX
Album: Clean Feeling
Label: Super Secret Records
Release date: August 11th, 2017

01. Boring Story
02. In A Web
03. Night Watch
04. Not For You
05. Black & White
06. Mistake
07. 1 x 1
08. A Few Years
09. What A Waste
10. Location
11. Mold


On The Web:

Tuesday, August 1, 2017

FACIAL premiere first single from forthcoming album via Consequence of Sound


Los Angeles trio FACIAL premiere the first track from their forthcoming sophomore album today via Consequence of Sound. Hear and share "Animals" HERE. (Direct Soundcloud and Bandcamp.)

On Facial's new record Facade, the band takes a look at their city (Los Angeles), their country (U.S.A.), and within themselves, to see what kind of ugly truths lie behind the front. Inside of all of us there are things that we try very hard to conceal: animal urges, selfishness, anger, hate, envy, violence, sexuality. We push them down and paint an alternate reality on the surface: happy, caring, altruistic, confident, peaceful, benevolent. But when the discrepancy between facade and reality becomes too great, we are forced to confront the facade and to question the fabricated surface realities fed to us all.

The music on this record cuts, churns, and moves. It bombards the listener, as if in attempt to disarm the defenses that we use to protect ourselves from these uncomfortable truths. Perhaps facades are necessary in certain scenarios; little white lies. We do not want to expose our weakness. We do not want to appear scared. An outward appearance must be maintained. But at some point, one must come up for air. We can't hide forever. One day we will have to unmask. 

Facade will be available on LP and download on September 29th via Chain Letter Collective. Pre-orders are available for digital at iTunes and vinyl HERE


FACIAL LIVE:
08/20 - Los Angeles, CA @ Echo Park Rising
08/27 - Los Angeles, CA @ Civic Center Studios
08/28 - Los Angeles, CA @ Satellite
09/27 - Los Angeles, CA @ The Echo
09/28 - San Francisco, CA @ The Eagle
09/29 - Eugene, OR @ Black Forest
10/01 - Seattle, WA @ Black Lodge
10/03 - Portland, OR @ Liquor Store
10/22 - San Diego, CA @ Blonde Bar
11/02 - Los Angeles, CA @ Zebulon


Artist: FACIAL
Album: Facade
Record Label: Chain Letter Collective
Release Date: September 29th, 2017

01. Black Noise
02. Hakeem
03. Animals
04. Fiend
05. Fashion Show
06. Unknown
07. Disappointment
08. Carrying The Load
09. Halitosis
10. Zero Sum
11. Go Away

On The Web:

Thursday, July 27, 2017

PLAX (OBN IIIs, Nosferatu, Skeleton, Glaassss, Spray Paint members) premiere "What a Waste" via Austin Chronicle


"Features some of the most aesthetically pleasing and deliberate lo-fi production, evoking the urgency of proto-punk bands like The Pagans, Rocket From the Tombs, The Mad, et al, but with a 21st Century frame of mind." -- New Noise Magazine

"Melodic, abrasive, dark, intense and weird all at once, recalling the likes of post-punk icons like Wire or more contemporary groups like Protomartyr." -- Treble

"A revolutionary mixture of post-punk, basement hardcore, and outsider rock." -- Austin Chronicle


Austin, TX punk quartet PLAX shares a new track from their forthcoming debut today alongside an insightful interview with Austin Chronicle. Find out about the local supergroup's origins (and surprising roots rock connection) and hear new single "What a Waste" HERE. (Direct Soundcloud.)


Treble recently shared "Night Watch" HERE. (Soundcloud.) New Noise Magazine recently shared first single "Boring Story" HERE. (Direct Soundcloud.)

PLAX is Victor (Skeleton, Nosferatu), Marley (OBN IIIs, Sweet Talk), Chris (Spray Paint, Dikes of Holland, When Dinosaurs Ruled the Earth) and Michael (OBN IIIs, eetsFEATS). Recorded by Ian Rundell in Austin, TX.

In the summer of 2016 Michael Goodwin approached his longtime friend Chris "Anton" Stevenson and current band-mate in OBN III's Marley Jones. The subject: starting a new outsider punk band that defies all conventional expectations. The three quickly wrote 9 songs for a demo, but were still in need of a vocalist. At the time, Marley was playing drums in the ever-evolving Skeleton, formed and fronted by the Ziolkowski brothers, David and Victor. Michael and Anton approached Victor and solidified the PLAX lineup with Victor on vocals. Their first show was July 28th, 2016 at Ikee's house with New Orleans Total Punk ragers, PATSY. From here they went on to play with top tier Texas bands CROOKED BANGS, INSTITUTE and ARMY. Their sound; an evolving whirlwind of WIRE influenced post-punk to the straight pogo-punk of DAWN OF HUMANS. They toured Texas in January of 2017 and in March of 2017 Anton relocated to Melbourne and now, being a global sensation, PLAX continues to write and record songs with their original four.

Clean Feeling will be available on LP, CD and download on August 11th via Super Secret Records.



Artist: PLAX
Album: Clean Feeling
Label: Super Secret Records
Release date: August 11th, 2017

01. Boring Story
02. In A Web
03. Night Watch
04. Not For You
05. Black & White
06. Mistake
07. 1 x 1
08. A Few Years
09. What A Waste
10. Location
11. Mold


On The Web:

Wednesday, July 26, 2017

Tera Melos share new song via NPR, announce album and tour w/ Speedy Ortiz supporting


Tera Melos announce their forthcoming third album today and share the first track via NPR. Hear and share "Don't Say I Know" HERE. (Direct YouTube HERE.) 

Tera Melos also announce an extensive North American headlining tour with Speedy Ortiz supporting. Please see current dates below. 

Trash Generator, the trio's third full length, is an astonishing blast of confidence and rejuvenation. It sounds as if the 4-year downtime since their last album has recharged the band with an entirely new sense of purpose. The performances are brilliant and sharp, the songs concise yet intricately detailed, and the album production deftly captures the band's strength as a live unit. Their dalliances with mellower psychedelic phrases on their previous two albums, X'ed Out (2013) and Patagonian Rats (2010) are significantly trimmed and instead utilized as colorations within a swirling maelstrom of righteous aggro punk-jazz abandon. As such, it sounds like Tera Melos has fully metabolized their pop tendencies and found a way they can coexist with the band's iconoclast origins. Tera Melos -- guitarist/vocalist Nick Reinhart, bassist Nathan Latona and drummer John Clardy -- have learned to stop worrying and just be Tera Melos. 

Perhaps to understand Trash Generator, we must look at the situations leading up to it...

"We toured consistently for 19 months after X'ed Out was released in 2013," Latona explains. "We did two full US headliners, four full US support tours, a Japanese tour, a month in Europe, and a run of shows in the UK and Ireland. When we finished, we were pretty exhausted and frustrated." It had seemed that after all of that work, not much had changed for the band. Tera Melos took a short holiday break, which eventually turned into two years as each of them pursued other interests. "I found myself at ease with the idea of not worrying about ticket sales, strategic tours, units moved, likes, clicks, views, and the short-fused moodiness of living in a van with two other people," Latona says. In that downtime, Reinhart remained active in multiple endeavors: contributing guitar to Death Grips' The Powers That B and Bottomless Pit albums + the I.L.Y.'s (Zach Hill and Andy Morin's other band), Big Walnuts Yonder (with Mike Watt, Nels Cline and Greg Saunier), Goblin Cock, Portugal.the man and many others. Latona completed a college degree he'd put off for 11 years. Clardy became and integral faculty member at the School of Rock in Dallas/Ft. Worth, inspiring young musicians with his real-world approach to learning music.

For every touring band there's a subtle pressure -- from fans, industry, promoters, family -- that the band is supposed to be on a constantly rising trajectory of success. Regardless of the group's own potentially esoteric goals, if you're not reaching for the "next level" at every turn, you're supposedly not doing it right. Tera Melos thought long and hard about it, and said, "fuck it." 

"Wth this record it was 100% let's not concern ourselves with what we should be doing at this point in the band's lifespan, and just fully focus on what makes us happy," Reinhart says. "Making a new record seemed like a fun act of defiance," Latona adds. "The odds are against bands like us, but despite all the negativity involved in trying to struggle and survive as an artist, we made Trash Generator because we just wanted to get together, have some fun, and make something that we think is cool." 

The trio decamped to San Diego in late 2016 to record at Singing Serpent Studios with Ben Moore (Hot Snakes, Pinback). It was their first time recording in a continuous block of time, rather than the piecemeal stealth late night sessions at friends' studios of previous efforts. It gave the band a razor-sharp focus atop of their beholden-to-none attitude. "We stayed in a spare place at Rob Crow's house which had a barracks kind of feel to it," Clardy explains. "We'd come home exhausted each day and fall asleep within an hour. It was very spartan when away from the studio." That mindset clearly informs the direct, in-your-face energy of Trash Generator

Album opener "System Preferences" starts things off with a simmering energy built upon a short 3-note bass loop and Reinhart's trademark whispersational Syd Barrett-esque vocals setting the stage for Gang Of Four style chopping guitar lines and rollicking toms. "Dyer Ln" pits a twangy guitar and a slice-n-dice rhythm section against each other with subtle sleight of hand (and foot) between Clardy and Latona. Elsewhere, "Don't Say I Know" showcases the band's brilliant synthesis of pop hooks with lightning fast shifts of rhythm, style, tone and mood - often within the same measure. The title track centers around syncopated, angular arpeggiated guitar notes building into an explosive chorus with the catchy, odd chorus refrain, "trash generator/ I'm not a bad guy." Reinhart has gained considerable notoriety in the musician's gear world in recent years from his contributions to Juan Alderete's "Pedals and Effects" blog/YouTube channel and their viral "100 Pedals" video. HIs knowledge of and skill with employing countless guitar pedals to accentuate his playing is tastefully on full display throughout the album. Latona and Clardy, not to be outdone, shine like never before as the band effortlessly slips back into their own unique and jaw-dropping musical vocabulary. 

Trash Generator will be available everywhere August 25th, 2017 on LP, CD, click, like and download via Sargent House. Pre-orders for LP/CD via HelloMerch and download via iTunes.

TERA MELOS & SPEEDY ORTIZ 2017
Oct 13 Los Angeles, CA @ The Roxy 
Oct 14 Sacramento, CA @ Harlow's 
Oct 16 Portland, OR @ Holocene 
Oct 17 Seattle, WA @ Chop Suey 
Oct 19 Salt Lake City, UT @ Kilby Court 
Oct 20 Denver, CO @ Globe Hall 
Oct 21 Omaha, NE @ Slowdown 
Oct 22 Minneapolis, MN @ 7th St Entry 
Oct 24 Madison, WI @ High Noon Saloon 
Oct 25 St. Louis, MO @ Firebird 
Oct 26 Chicago, IL @ Subterranean 
Oct 27 Lakewood, OH @ Mahall's 
Oct 28 Toronto, ON @ The Hard Luck 
Oct 29 Montreal, QC @ Bar Le Ritz 
Oct 31 Cambridge, MA @ The Sinclair 
Nov 01 Hamden, CT @ The Ballroom Outer Space
Nov 02 Brooklyn, NY @ TBA
Nov 03 Philadelphia, PA @ The Foundry @ Fillmore 
Nov 04 Washington, DC @ Rock & Roll Hotel 
Nov 05 Carborro, NC @ Cat's Cradle 
Nov 07 Orlando, FL @ Backbooth 
Nov 08 Talahassee, FL @ Club Downunder (FSU) 
Nov 09 Atlanta, GA @ The Masquerade Purgatory 
Nov 10 New Orleans, LA @ Gasa Gasa 
Nov 11 Houston, TX @ Secret Group 
Nov 13 Dallas, TX @ Three Links 
Nov 15 Phoenix, AZ @ The Rebel Lounge 
Nov 16 San Diego, CA @ The Casbah 
Nov 17 Santa Ana, CA @ Constellation Room 
Nov 18 San Francisco, CA @ Bottom of the Hill



Artist: Tera Melos
Album: Trash Generator
Record Label: Sargent House
Release date: August 25th, 2017

01. System Preferences
02. Your Friends
03. trash Generator
04. Warpless Run
05. Dyer Ln
06. GR30A11
07. Men’s Shirt
08. Don’t Say I Know
09. A Universal Gonk
10. Like a Dewclaw
11. Drawing
12. Super FX








On the Web:









Tuesday, July 25, 2017

R.I.P. shares first track from forthcoming album 'Street Reaper', Portland's street doom band returns Friday, Oct. 13th



Portland, OR 'Street Doom' quartet R.I.P. shares the first single from their forthcoming sophomore album Street Reaper today. Hear and share "The Other Side" via Bandcamp and YouTube. Metal Injection features the song HERE.

When R.I.P. came crawling out of the sewers of Portland, OR last year, their grimy, sleazy Street Doom was already a fully formed monstrosity that quickly infected the minds of everyone it encountered. Now, borne from the band's declining state of mental health and increasing focus on songwriting, Street Reaper is an even more unhinged and menacing album than their 2016 debut In The Wind

Borrowing equally from 80s Rick Rubin productions and Murder Dog magazine aesthetics, Street Reaper is a streamlined, yet brutally raw manifesto of heavy metal ferocity hearkening to the era when both metal and hip hop were reviled as the work of street thugs intent on destroying America's youth.

Throughout, Angel Martinez's guitar and John Mullett's bass are inextricably interlocked, sounding like a massive sonic steamroller, while drummer Willie D keeps the beat solid and simple for the most powerful impact. And, the band's extensive touring and excessive virgin sacrifices have clearly endued singer Fuzz with evermore agile vocal chords to drive it all home with extreme precision.

Operating on the belief that doom is not tied to a tuning or a time signature, but rather a raw and terrified feeling, R.I.P. eschews well trodden fantasy and mysticism tropes of the genre and focuses on conveying the horror and chaos inherent in the everyday reality of the human mind. With several years of touring under their heavily studded belt, R.I.P. has distinguished themselves from the interchangeable hordes of bands trying to play heavy metal by crafting an aesthetic and a sound all their own, focusing on the things that make metal heavy rather than adhering to the formulaic confines of a particular sub-genre.

Street Reaper opens with the knockout punch of "Unmarked Grave" and the rest is just sheer bludgeoning for bludgeoning's sake as the album echoes the grimy vibe of legends like Saint Vitus, Pentagram and Motorhead, with the no b.s. aesthetic of the early Metal Massacre compilations. 

Street Reaper will be available on LP, CD and download on October 13th, 2017 via RidingEasy Records


Artist: R.I.P.
Album: Street Reaper
Record Label: RidingEasy Records
Release Date: October 13th, 2017

01. Unmarked Grave
02. Street Reaper
03. Mother Road
04. The Dark
05. The Other Side
06. Shadows Fools
07. Brimstone
08. The Cross
09. The Casket
10. Die In Vain









On The Web: