Friday, September 4, 2026

Beth Cameron (ex-Forget Cassettes) drops beautiful, dark single "HeLa" about medical & generational trauma from forthcoming solo debut



Nashville musician Beth Cameron announces her forthcoming solo debut full length LP, The World. Oh No. today. The lead single "HeLa" launched earlier via New Noise Magazine HERE. The song is now also available to hear and share on all DSPs HERE


Cameron explains the song's significance:


"I have really struggled with writing about the concept behind THE WORLD. OH NO. It’s an entity with so many “worlds” I want to discuss, yet deep down I am terrified. Terrified you won’t understand what I’m singing about. Terrified you will understand exactly what I’m singing about, because it happened to you too. I’d like to say that writing this record was cathartic, but it actually felt more like a possession, so maybe releasing it into the world (OH NO!) is my exorcism. 


"HeLa exists in one of those worlds, specifically medical and generational trauma. "HeLa" is about Henrietta Lacks, whose cells were harvested from her cervical tumor without her or her family’s knowledge or consent. Her cells were the first to survive outside the human body, creating the first immortal cell line, called HeLa cells. Because of HeLa cells, we have the polio, HPV, and COVID vaccines, among countless cancer and biomedical breakthroughs."



The best performers attract and terrify us simultaneously. In the last quarter century of Nashville’s neglected independent music scene, no artist has been so magnetic and disquieting as Beth Cameron, whose feverish songs have been performed and recorded under the names Fair Verona, Forget Cassettes, Eliza the Arrow, and Black Bra.


Cameron’s live shows range from elaborate ensemble pieces for full band and women’s choir to solo performances for electric guitar and voice. This is where the terror and attraction come in. The first thing one notices at a Beth Cameron show is that our heroine—holding an SG beside a gigantic Music Man amplifier—is 5’4”, a hundred pounds soaking wet, and strikingly pretty. She dresses like the girl you were afraid to talk to in your creative writing class. If you’re lucky

enough to have received no warning, you will be impaled by the sheer volume of Cameron’s aggressive, virtuosic playing and her deep alto, which vacillates between the raw vibrato of Son House and the despair of someone chained up in a dungeon. She is as mesmerizing and volatile as a weeping dragon—a weeping dragon who fucks.


Since her debut—as a teenage frontwoman in the American South—Cameron’s brusque inquisitions of violence, betrayal, and sex have energized a young Nashvilliana disengaged from their city’s vapid glitz. Her live shows have taken her across Europe and North America, and her recorded output has drawn praise from SPIN, NME, Missbehave, CMJ, Drowned In Sound, and NPR


Forget Cassettes’s 2006 album, Salt, produced by Jeremy Ferguson (Cage the Elephant, Lambchop), is widely considered the pinnacle artistic achievement of the Nashville indie rock scene of that era. Follow-up album O CURSA was so challenging and long in gestation that the group was dropped from their international label.


In 2016, Cameron married celebrated photographer and polymath Miles Price. Their first collaboration, Black Bra’s eponymous 2020 release, won the Nashville Scene’s best rock album of the year. Cameron’s new album, The World. Oh No. released under her own name, was recorded and mixed by Roger Moutenot (Yo La Tengo, Sleater-Kinney, Lou Reed). By far the most elaborate production with the largest supporting cast of her career, The World. Oh No. is

Cameron’s most personal work and the most resplendent. Expect shows as beautiful and unsettling as anything we’ve seen. 


The World. Oh No. will be available on streaming/download on September 11th, 2026. A special Limited Edition hardbound book and LP package follows in November. The album is available to pre-order on digital via Bandcamp




Artist: Beth Cameron

Album: The World. Oh No.

Label: Submissive Grin

Release Date: September 11, 2026 (digital) / TBA (LP/book)


01. Prodrome

02. Something In The Offing

03. Lemonsqueezer

04. Constant Companion

05. Chocolate Cake

06. Sympathetic Symphony

07. HeLa

08. Motherland

09. RIP, OP

10. Everyone Is Someone's Collateral Damage

11. One Blood

12. FLSD

13. I'm Resting

14. The World. Oh No. (Postdrome)



On the Web:

bethcameronmusic.com

instagram.com/bethcameronmusic

bethcameronmusic.bandcamp.com














Thursday, September 3, 2026

Raymond J. Lustig (Juilliard prof., Classical composer, Manicburg) shares psych-pop single "That's The Moment"

 


"Here, Lustig turns toward something closer to psychedelic pop and alternative rock, although his instinct for unusual arrangements hasn’t gone anywhere." -- It's Psychedelic Baby! Magazine


"Underground art-rock channeling Ron Mael (Sparks)." -- Echoes & Dust



NYC musician Raymond J. Lustig announces his forthcoming new album Welcome today, sharing the lead single "That's The Moment". The song is available to hear and share on Bandcamp and all DSPs HERE


Ray Lustig is 1/2 of NYC songwriting duo Manicburg and an award winning professor in composition at Julliard. Yes, THEE Julliard, school of performing arts. But this isn’t stuffy Classical music nor icy neo-Classical navel-gazing. Ray’s music shares more with psychedelic post-punk, Manu Chao, Tom Waits, Radiohead and other hard to categorize works of intricate composition. 


Welcome is his latest solo album exploring realms of alternative/indie rock coming hot on the heels of his choral opera Semmelweiss. The first single “That’s The Moment” is a hooky, electronic-infused psychedelic pop tune. 


Lustig's work transcends and integrates many genres, as composer, performer, producer, and bandleader. From symphonic works to experimental opera, instrumental music, to alternative rock and electronic music, his music maintains an artistic and sonic signature across strikingly different forces, an emotional intensity not about loudness but often quiet and constant.


While his early career was set in the world of Juilliard and Carnegie Hall, he has moved steadily “downtown” and around the world, working with international musicians ranging from underground rockers to modular synthesists, jazzers, traditional folk instrumentalists, and classical virtuosi.


With New York-based Italian artist Luigi Porto he started the band Manicburg, which released its debut album in 2024, and continues to tour and record.


His choral opera SEMMELWEIS was staged in a 2018 production by Hungarian director Martin Boross. In 2026 Lustig and co-producer Maximilien Hein reimagined the music of the opera as a concept album taking the form of a song cycle. It met with global critical acclaim.


His latest album, WELCOME, due out in the autumn of 2026, takes his solo music again in the direction of alternative rock, with a lush electronic and compositional palette, exploring different angles of anxiety and fear in a menacing world, a serial tale of psychedelic peril.


Lustig has collaborated with American Composers Orchestra, Grand Rapids Symphony, Metropolis Ensemble, Budapest Operetta Theater, the Bartok Plusz Opera Festival, the American Opera Project, cellist Joshua Roman, tenor Nicholas Phan, pianist Blair McMillen, classical guitar ensemble Duo Noire, director Martin Boross, aanimator John W. Lustig, and more. He has taught composition and analysis at The Juilliard School and served on the Pulitzer Prize selection committee.


Ray’s work has been honored with the Charles Ives Fellowship from the American Academy of Arts and Letters, ASCAP’s Rudolf Nassim Prize for his orchestral work UNSTUCK, the Aaron Copland Award from Copland House, the Juilliard Orchestra competition, the New Juilliard Ensemble competition.


Lustig is part of a growing scene of artists and musicians based in the far-northern neighborhoods of Manhattan, and hosts monthly music parties in his studio there.


Welcome will be available on LP and digital on November 20th, 2026 via Respirano Records




Artist: Raymond J. Lustig

Album: Welcome

Record Label: Respirano Records

Album Release Date: November 20, 2026


On the Web:

raylustig.com

instagram.com/raylustig 

facebook.com/raymondlustig 

raymondjlustigmusic.bandcamp.com

open.spotify.com/artist/raymondjlustig 








Tuesday, September 1, 2026

The Mojave Experience Festival 2027 to feature COC, Fu Manchu, Red Fang, Nebula and more over 3 days, tickets on sale now

 


“Unlike other festivals that set up shop in a hot, scenic locale to showcase performers from other places around the world, The Mojave Experience has a more authentic vibe.” — Los Angeles Times 



The Mojave Experience festival today announces the second annual staging of the event, taking place March 19th-21st, 2027 in Joshua Tree, California. The festival has expanded to 3 days for its second year due to popular demand. Bands announce thus far include Corrosion of Conformity, Fu Manchu, Red Fang, Brant Bjork, Nebula and many more. The full lineup will be revealed soon. Tickets are on sale now for Early Bird and special bundles. Tickets are available HERE


The festival is the brainchild of organizer and High Desert native Patrick Brink, frontman of VOLUME and former lead singer of desert rock legends Fu Manchu


The Desert music & culture festival carries on the free-spirited tradition of Desolation Center, High Desert generator parties and the early days of Coachella. The Mojave isn’t just a backdrop. It’s part of the reason this festival exists.


Bands announced so far include:


Corrosion of Conformity

Fu Manchu

Red Fang

Brant Bjork

earthlings?

Mondo Generator

Nebula

Deathchant

Fatso Jetson

Unida

Yawning Balch

Big Scenic Nowhere

Sasquatch

Heavy Temple

High Desert Queen

Sons of Arrakis

20 Watt Tombstone

Magick Potion

Black Moon Cult




The Mojave Experience takes place in Joshua Tree, California at the Joshua Tree Lake & Campground. Attendees are encouraged to make use of the camping, hiking and rock climbing in the area while taking in the vast beauty and mystery of the region that birthed the Desert Rock movement.


There’s a long history of people coming out here to make music on their own terms, from Desolation Center and generator parties to infamous sessions at Rancho de La Luna and the early days of desert festivals. The Mojave Experience comes from that same independent spirit.


The Mojave isn’t just a backdrop — it’s the raw, unfiltered stage where music, art, and chaos collide. Out here, under open sky and desert sun, things feel different. There’s distance from the city, from the usual venues and from everything that normally surrounds a show. You come out here because you want to be here.


The Mojave Experience grew naturally out of that. It wasn’t created to recreate something from the past. It came from the music and culture that have existed in this desert for decades, while giving the next generation of bands and fans a place in it.


Year one proved that people will travel a long way for that experience. They came from across the country and beyond to spend a weekend in the Mojave, surrounded by people who came for the same reason. Desert legends, road-worn bands and new blood sharing the same stage for a few days in the place that inspired it.


No city park. No corporate festival setting.


Just the bands, the people and the Mojave.


Come ready. Come raw.

The Mojave Experience isn’t here to entertain you — it’s here to change you.



THE MOJAVE EXPERIENCE 2027:

03/19/2027 - 03/21/2027 Joshua Tree, CA - Joshua Tree Lake & Campground