Monday, February 11, 2019

ZIG-ZAGS share lead track "Punk Fucking Metal" from forthcoming album on RidingEasy Records


"Sounds like Kill ‘Em All-era Metallica meets Motorhead but with claustrophobic garage rock production. It’s a real ripper." -- Brooklyn Vegan

"A potent dose of galloping, cartoonishly vicious rock'n'roll -- material previously perfected by bands like Motörhead and Megadeth." -- Pitchfork

"Noisy, aggressive, and raucous music that careens between garage rock and heavy metal like an amusement-park ride." -- Stereogum


L.A. punk-metal trio Zig-Zags announce their fourth album, and debut on RidingEasy Records today, sharing the lead single at Brooklyn Vegan. Hear and share "Punk Fucking Metal" HERE and via YouTube, Bandcamp or Spotify

"Everyone puts photos of Sid Vicious up on Instagram. The other night I watched D.O.A, the documentary about The Sex Pistols' first and only U.S. tour. In it, Sid's a mess, he and his annoying girlfriend. And they're the only ones who get interviewed! Maybe John Lydon and Steve Jones (not to mention the drummer) didn't want to participate. Maybe Nancy made Sid do it. But it whatever the case, I didn't wanna watch it. The rest of the band is crushing! They sound just like the record! As a musician in a touring band, I can't stand Sid Vicious. He's cartoon character with a Swastika shirt, nodding off while everyone else loads the gear. I don't care if it's punk -- you still gotta be able to play."  - J. Maheu, lead vocals and guitar for Zig Zags.

8 years, 7 singles, 3 albums, 3 bass players, 2 drummers and God knows how many shows later - Zig Zags has continually evolved, mutated, transitioned and transformed, rising again and again, like a phoenix emerging from the flame. 

The addition of the newest member of our triumvirate - multi-instrumentalist, designated bassist (and longtime Zig Zags sound engineer) Sean Hoffman - recalls those golden moments past, when destiny stepped in...like when Neil Peart joined Rush or Bob Rock teamed up with Metallica. 

In short -- the circle is now complete, the cornerstone has been set and the winged serpent rises --once again. 

Some say it's luck, but really, it's about patience. A band is like a relationship. You have to know when to push, and when to hold back. You gotta listen and you gotta learn. We look to the masters. Like Henry and Glenn, we've gone from drinking hooch to pumpin' iron. We quit smoking. Two of us are married, for chrissakes! After 2017's brutal European tour, which left us coughing blood and taking names, we sought out Lemmy's Doctor (Feel Good), who diagnosed us with,"Rock'n'roll Pneumonia".  Like Lemmy, we were pushing too hard. And if you push too hard you'll end up in an apartment above The Rainbow Room, playing video poker on Christmas Eve (which is also your birthday)...but that's another story. 

The thing is - we ain't dead yet. Every album we record, every song we write - has to be faster, harder and heavier - than the one before. And that's why this new record is all about upping the ante and raises the stakes, and why it marks the dawn of a new day...and a new era. 

This album, our first with RidingEasy, was written over the last year. It's reveals our longtime roots, our enduring love (all hail!) to the early punk of our hero(ines) Dead Moon and The Wipers (forever!) but friends, don't be misled...this is a METAL record - of the true blue, headbangin', riff-ridin', no-bullshit - kind. 

Listen here - it ain't easy to play guitar and sing at the same time! But the more you focus, the more you get your head in the game, the more you push (yourselves and each other), the better it all gets. And the songs, they thank you for it. They get tougher, wilder and more raw, the more you strip them down. 

They'll Never Take Us Alive will be available on LP, CD and download on May 10th, 2019 via RidingEasy Records. Pre-orders are available HERE


ZIG-ZAGS LIVE 2019:
05/03 London, UK @ Desertfest
05/04 Berlin, DE @ Desertfest
05/06 Prague, CZ @ Academy of Fine Arts
05/07 Leipzig, DE @ Ilses Erika
05/10 Karlsruhe, DE @ Alte Hackerei
05/11 Milan, IT @ Sound Music Club
05/12 Cuneo, IT @ TBA
05/14 Valence, FR @ Mistral Palace
05/15 Lyon, FR @ Trokson
05/16 Paris, FR @ Supersonic
05/17 Rotterdam, NL @ V11
05/18 Lohr am Main, DE @ Umsonst und Drinnen Festival
05/19 Eindoven, NL @ Dynamo
05/20 London, UK @ The Shaklewell Arms
05/21 Manchester, UK @ Soup Kitchen
05/22 Margate, UK @ Elsewhere 
05/23 Liege, BE @ Rockerill
05/25 Groningen, NL @ Vera
04/19 Oceanside, CA @ Pourhouse
04/20 Los Angeles, CA @ Psycho Smokeout Festival
08/03 Schierling, DE @ Labertal Festival
08/08 Santarem, PT @ InStr
08/09 Moldeno, PT @ Sonic Blast Moldeno



Artist: Zig-Zags
Album: They'll Never Take Us Alive
Label: RidingEasy Records
Release date: May 10th, 2019

01. Punk Fucking Metal
02. Killer of Killers
03. Fallout
04. No Way Out
05. Ms 45
06. The Shout 
07. Why I Carry a Knife
08. They'll Never Take Us Alive
09. Nothing To Do
10. God Sized


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Friday, February 8, 2019

Bay Area thrash revivalists HELL FIRE share new track "Warpath" from RidingEasy Records debut


"Lots of thrash bands do their best to sound retro, but Hell Fire manage to sound classic." -- Kerrang!

"Hell Fire rocks harder than Stonehenge with the fury of Motorhead!" -- CvltNation


San Francisco quartet Hell Fire premiere a new track from their forthcoming third album Mania today via CvltNation. Hear and share "Warpath" HERE. (Direct YouTube.)

Kerrang Magazine recently launched title track "Mania" HERE. (Direct YouTube.)

Mania is the band's first proper album on RidingEasy Records, following the label's worldwide reissue of the band's self-released 2017 sophomore breakout Free Again, released on January 18th. 

Formed in recent years in San Francisco, though it may seem more likely that they hatched fresh out of a time travel portal from the mid-80s Bay Area thrash scene, Hell Fire have the classic look and sound of modern metal's halcyon days. Hell Fire's sonic assault warmly condenses elements of influences like Angel WitchIron MaidenRainbowExodusMetallicaRiotVirtue and Diamond Head into 10 tracks of headbanging MUYA anthems. 

The free-wheelin' creativity and infectious vitality of the 80s Bay Area thrash scene is a moment forever locked in time, but its spirit lives on in the band's galloping guitar picks, soaring harmonies and blistering rhythms. Hell Fire's perfect hybrid of NWOBHM theatrics and American thrash attitude.

"Thematically, everything on the album comes from personal experiences," says vocalist/guitarist Jake Nunn. "From the highs of partying together out here in Oakland, or the nostalgia of being a kid learning Zeppelin on a beat up guitar, to the extreme lows of isolation, personal trauma, and mental illness. Sonically we want our records to sound like you're standing in front of the stage at a show. The power of Marshall stacks in front of your face, drums at your ear level, thunder of the bass and feeling the presence of the room."

Hell Fire achieves just that - and then some - on Mania. The album was recorded in Grass Valley, California at engineer Tim Green's Louder Studios. Having also recorded their previous album Free Again with Green, the sessions proved highly productive for the band since they were already familiar with the setting and able to expand upon ideas they hadn't been able to explore previously. 

"We're more excited about Mania then anything we've ever done," Nunn says. "We were able to spend a bit more time arranging the songs and writing from a more personal perspective lyrically. We came out of this recording feeling much more accomplished with our performances and couldn't be more happy for this to be our first release with RidingEasy Records."

Hell Fire began when bass player Herman Bandala moved to San Francisco from Tijuana, Mexico with the hopes of forming a heavy metal band. Herman posted an ad to Craigslist which caught the attention of guitarist Tony Campos. They bonded over a mutual love of 80s thrash and NWOBHM, which was a hard thing to find in the Bay Area scene at the time. The lineup slowly morphed over time, finally solidifying with vocalist Jake Nunn also taking up second guitar duties and drummer Mike Smith joining prior to 2017's Free Again

Mania will be available on LP, CD and download on March 29th, 2019 via RidingEasy Records. Pre-orders are available HERE.

HELL FIRE LIVE 2019:
03/15 Portland, OR @ High Water Mark
03/16 Seattle, WA @ The Funhouse
03/29 San Francisco, CA @ Thee Parkside - Album release show
04/05 Reno, NV @ Dead Ringer
04/06 Salt Lake City, UT @ The Loading Dock 
04/07 Denver, CO @ Hi Dive
04/10 Oklahoma City, OK @ TBA
04/11 Dallas, TX @ Ridglea Theater
04/12 Austin, TX @ Lost Well
04/13 Houston, TX @ Hell's Heroes Festival
04/14 San Antonio, TX @ Paper Tiger
04/17 El Paso, TX @ TBA
04/18 Phoenix, AZ @ Rogue Bar
04/19 Oceanside, CA @ Pour House
04/20 Los Angeles, CA @ Psycho Smokeout Festival 



Artist: Hell Fire
Album: Mania
Label: RidingEasy Records
Release Date: March 29, 2019

01. Warpath
02. Mania
03. On The Loose
04. Born To Burn
05. Transcending Evil
06. Lashing Out
07. Isolator
08. The Dreamer
09. Knights of The Holy
10. Masochist


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Talkhouse shares Spoony Bard (L.A. Beat Scene meets electronic, jazz & avant-garde hip-hop) single from Old Friends album out in April

"I'm trying to blur the line between rap's grandiosity and De La Soul's parody of it." --  David Nord, Talkhouse

"A dizzying, sometimes disorienting sound that will garner comparisons to Dälek, Flying Lotus, Aphex Twin and others. Ceaseless in its sonic exploration, restless in its vision and tireless in its sense of invention." -- PopMatters


NYC producer and musician spoony bard (lowercase, please) shares the first single today from his forthcoming sophomore album Old Friends via The Talkhouse. The track, "Ego Trippin' Part 99" is inspired by De La Soul's classic "Ego Trippin' Pt. 2" but infused with spoony bard's unique collision of influences. Hear the track and the musician's revealing explanation of its origins via Talkhouse HERE. (Direct Bandcamp and Spotify.)

spoony bard's 2017 debut album dweeb is available to hear & share via BandcampSoundcloud.

Like the video game garbled insult of its namesake, spoony bard is the result of a cultural collision as well as an honest and self-deprecating exploration of life. The hybrid of L.A. beat scene, electronic, jazz and avant-garde takes a fresh approach to musical soul-bearing with compelling sonic textures and introspective lyrics. spoony bard combines hints of Flying Lotus, Dalek, DJ Premier, Herbie Hancock, Aphex Twin and more.

spoony bard is the alter-ego of musician David Nord. Originally a jazz composer/guitarist, Nord's equal interest in hip-hop and electronic sounds brought about an evolution in his work, leading him to merge these styles and explore the possibilities of an alternate musical vocabulary. Old Friends follows Nord’s 2017 debut Dweeb, which was featured by Bandcamp Weekly and received considerable press praise. For this album, Nord took a turn backward.

“It’s titled Old Friends because on a lot of these songs I had old friends in mind,” Nord says. “Old friends also means my old musical friends - guitar playing, some melodies I wrote a long time ago. This album has a lot more live instrumentation on it. There’s still plenty of synths, but I did a lot more playing and less sampling.” 

The album opens with a cascade of notes from electric piano, guitar and what sounds like a droning sitar on “Ego Trippin’ Part 99.” It sounds almost like a lost Mahavishnu Orchestra track until sampled voices, syncopated percussion and Nord’s rhymes take over the proceedings. His style of rapping is so conversational and intimate, it almost sounds like it’s a man’s unguarded thoughts being telegraphed to the listener. “Levitate Me Later” is a glitch-funk blast, while “Areia” takes a smoothed-out approach with gliding sung vocals and Giorgio Moroder freakout synth soloing. “Extralewd 1” echoes Aphex Twin’s best sliced’n’diced grooves. Throughout, it’s a delightfully unhinged and explorative album that’s impossibly laid back and frenzied at the same time. 

Old Friends will be available for download on April 5th via Bandcamp, iTunes, Spotify, Apple Music, etc. 



Artist: spoony bard
Album: Old Friends
Record label: spoony bard music
Release date: April 5th, 2019

01. Ego Trippin' Part 99
02. Levitate Me Later
03. Dizziness of Freedom
04. Extralewd 1
05. Megalixir
06. Areia
07. Extralewd 2
08. Note To Self
09. Limbo
10. Far Flung 











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Thursday, February 7, 2019

"Off-kilter" Canadian trio Tunic stream forthcoming new album early, share new tour dates

"Off f**king kilter but totally on point!" -- CvltNation

"A quick-moving monument to disaffection. Shades of post-hardcore and noise rock come together in the spirit of cooperative aggression." -- The Obelisk

"Their own unique brand of noise rock and hardcore... Eleven tunes of feedback-laden mastery laid over churning blows of drums and bass." -- Pure Grain Audio


Canadian noise rock trio Tunic are streaming their forthcoming album in full today ahead of release via Ghost Cult Magazine. Hear and share the full album, Complexion HERE. (Direct Soundcloud.)

Tunic launches a European tour next week, followed immediately by extensive North American dates in Spring 2019. Please see all dates below. 

The band recently premiered the hallucinogenic and oddly disorienting video for "Dry Heave" via The Obelisk HERE. (Direct YouTube.) CvltNation previously launched lead single "Nothing Nothing" HERE. (Direct Bandcamp.) Pure Grain Audio hosted "Blessed" HERE

Tunic is born of spite. After years of touring someone else's bass lines across the globe, David Schellenberg was told he wasn't good enough. So he did the only logical thing: buy a guitar, quit your long-time band, and abandon everything you think you know about music. Armed with no skill and a blissfully ignorant embrace of discordant noise, Schellenberg started crafting songs, quickly enlisting childhood acquaintance Sam Neal on drums and roommate Rory Ellis on bass. 

Over the past 4 years and half a dozen DIY releases, Tunic has managed to unleash and tame their unique blend of noise rock and hardcore. Relentless touring has taken them across Canada, Europe and the States, filling clubs, basements, and abandoned prisons with noise. The band released the single Teeth Showing on Toronto's Buzz Records in 2018, which they toured with new drummer Dan Unger.

Tunic's debut album Complexion was recorded in six days in their hometown of Winnipeg, Manitoba with Montreal-based engineer and producer Jace Lasek (Suuns, Land of Talk, Wolf Parade). Complexion picks up where previous releases left off; 11 songs of feedback-laden filth laid over churning blows of drum and bass. Harsh verses about hurting those you never meant to hurt; choruses that sever ties where you never thought you had to. This is unconventional hardcore. This is broken indie rock. This is naïve art.

Complexion will be available on LP, CD and download on February 8th, 2018 via Self Sabotage Records (Pre-order at Big Cartel-Self Sabotage).

TUNIC LIVE:
Feb 11, 2019 - Magasin 4, Brussels BE
Feb 13, 2019 - Le Cirque Electrique, Paris FR
Feb 14, 2019 - Raymond Bar, Clermont Ferrand, FR
Feb 15, 2019 - Le Farmer, Lyon, FR
Feb 16, 2019 - Joe Koala, Bergamo, IT
Feb 18, 2019 - Freakout, Bologna, IT
Feb 19, 2019 - Osteria Al Castello, Chiuppano, IT
Feb 20, 2019 - Magazzino Paralello, Cesena, IT
Feb 21, 2019 - Eterotopia, San Giuliano Milanese, IT
Feb 22, 2019 - G.O.B., Viareggio, IT
Feb 24, 2019 - 100-as Klub, Budapest, HU
Feb 25, 2019 - Dvorana Gustaf, Maribor, SLO
Feb 26, 2019 - Fluc, Vienna, AU
Feb 27, 2019 - Eternia, Prague, CZ
Feb 28, 2019 - Bajkazyl Brno, Brno, CZ
Mar 01, 2019 - Ann and Pet, Linz, AU
Mar 02, 2019 - Alte Hyovereinsbank, Oettingen, DE
Mar 03, 2019 - Secret show, Sulzbach-Rosenberg, DE 
Mar 04, 2019 - Dynamo, Zurich, CH 
Mar 07, 2019 - Capri Bar, Breman, DE
Mar 09, 2019 - Le Petit Bitu, Namur, BE
Mar 13, 2019 - SXSW, Austin, TX
Mar 14, 2019 - SXSW, Austin, TX
Mar 15, 2019 - SXSW, Austin, TX
Mar 16, 2019 - SXSW, Austin, TX
April 16, 2019 - 7th Street Entry, Minneapolis, MN*
April 17, 2019 - Vaudeville Mews, Des Moines, IA* 
April 18, 2019 - Gabe's, Iowa City, IA*
April 19, 2019 - Art-in, Madison, WI*
April 20, 2019 - X-Ray Arcade, Milwaukee, WI*
April 21, 2019 - The Empty Bottle, Chicago, IL
April 23, 2019 - Shakespeare's, Kalamazoo, MI
April 24, 2019 - The Baby G, Toronto, ON
April 25, 2019 - Black Squirrel, Ottawa, ON
April 26, 2019 - Turbohaus, Montreal, QC
April 27, 2019 - The Root Cellar, Amherst, MA
April 28, 2019 - Dusk, Providence, RI
April 29, 2019 - Obrien's, Boston, MA
May 1, 2019 - Root Celler, Bard, NY
May 2, 2019 -Trans Pecos, NYC, NY
May 3, 2019 - Horrorland, Philadelphia, PA
May 4, 2019 - Songbyrd Vinyl Lounge Washington, DC
May 5, 2019 - Guido's, Frederick, MD 
May 6, 2019 - Crayola House, Harrisonburg, VA
May 7, 2019 - The Bakery, Atlanta, GA
May 8, 2019 - Bank St Bar, New Orleans, LA
May 9, 2019 - The Satellite, Houston, TX
May 10, 2019 - Mass, Fort Worth, TX
May 11, 2019 - Beerland, Austin, TX
May 14, 2019 - Lunchbox, Phoenix, AZ
May 15, 2019 - The Smell, Los Angeles, CA
May 16, 2019 - Programme, Fullerton, CA
May 17, 2019 - 924 Gilman, Berkeley, CA
May 18, 2019 - Pizza Planet, Eugene, OR
May 20, 2019 - TBA, Portland, OR
May 21, 2019 - Black Lodge, Seattle, WA
May 22, 2019 - Logan's, Victoria, BC
May 23, 2019 - Static Jupiter, Vancouver, BC
May 24, 2019 - The Palomino, Calgary, AB
May 25, 2019 - Sewing Machine Factory, Edmonton, AB

* w/ Blessed




Artist: Tunic
Album: Complexion
Record Label: Self Sabotage Records / Super Secret Records
Release Date: February 8th, 2019

01. Nothing Nothing
02. Envious
03. Getting Sick
04. Evan
05. Sand
06. Dry Heave
07. Blessed
08. Empty Handed
09. Paper
10. Pores
11. Frontal Lobe








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Tuesday, February 5, 2019

THE WELL announce new album, share first track via Kerrang!


"Furiously strong... One of our most anticipated heavy albums of 2016." -- Consequence of Sound

"Their most intimate, darkly personal record yet... Taking them out of the doom corner and giving it a raw, post-punk feel. "Raven" sounds like a Satanic, downtuned Steppenwolf, and frankly we can’t get enough." -- Kerrang!


Austin trio The Well announce their forthcoming third album Death and Consolation today, sharing the first single via Kerrang Magazine. Hear and share "Raven" HERE. (Direct YouTube.)

Death and Consolation is without a doubt a weighty album title. And, The Well is among the heaviest heavy psych bands in existence. So when we say that there's even more darkness and intensity to the band's third album than previous efforts, take heed. It's a deep sea diving bell of enveloping heaviness and longing. 

"This one is a little more personal," says guitarist/vocalist Ian Graham. "2018 was a strange, dark year. A lot of change going on in my life, there was a lot of depression and coming out of it over the last year. I wanted to call this Death and Consolation, because in life that's a constant." 

While The Well continue to walk an intriguing line between authentic early 70s doom/heavy psych and frayed weirdness of dark folk - especially with their haunting unison male/female vocals - the new album also adds the stark vibe of post-punk acts like Joy Division and early The Cure. "I feel like this album is almost more gothic. We're big fans of post-punk," Graham says. There's also much less jamming, the songs are tight and concise. And, did we mention, heavy? The band tuned down a full step to C-standard tuning for this album, which gives the proceedings its monstrous sound.

Sonically, Death and Consolation picks up where The Well -- Graham, bassist/vocalist Lisa Alley and drummer Jason Sullivan -- left off with their widely heralded 2016 RidingEasy album Pagan Science. The band once again recorded with longtime producer/engineer Chico Jones at Estuary Studio in 2018, who has turned the knobs for all three of their albums (Jones engineered the band's debut album Samsara with producer Mark Deutrom [Melvins, Sunn0)))] in 2013.) Samsara, released late September 2014 was ranked the #1 debut album of 2014 by The Obelisk and Pagan Science among the Best of 2016 from the Doom Charts collective. Likewise, the band's intense -- some even say "possessed" -- live performances have earned them featured slots at Austin's Levitation Fest, as well as tours with Kadavar, All Them Witches, Black Tusk and more. 

"This album might be a little less produced, because I didn't want to push technical stuff as much," Graham says. "I'm so scared of getting too complicated when getting better at guitar. This is still kind of punk rock." 

Death and Consolation will be available on LP, CD and download on April 26th, 2019 via RidingEasy Records. Pre-orders are available HERE


THE WELL TOUR 2019:
03/01 - Austin, TX @ Hotel Vegas
04/12 - Lafayette, LA  @ Freetown Boom Boom Room
04/13 - Cypress Creek, LA @ Fête du Void Festival
04/24 - Dallas, TX @ Club Dada*
04/25 - Austin, TX @ Barracuda*
05/01 - Omaha, NE @ Slowdown*
05/02 - Denver, CO @ Hi-Dive*
05/03 - Phoenix, AZ @ Yucca Tap Room 
05/04 - Sacramento, CA @ Blue Lamp 
05/09 - Portland, OR @ High Water Mark 
05/10 - Seattle, WA @ Substation
05/12 - Calgary, AB @ Palomino 
05/13 - Edmonton, AB @ Temple 
05/14 - Winnipeg, MB @ The Windsor 
05/18 - Taos, NM @ Monolith on the Mesa Fest
05/19 - El Paso, TX @ Monarch

* w/ Monolord



Artist: The Well
Album: Death and Consolation
Label: RidingEasy Records
Release date: April 26th, 2019

01. Sabbah
02. Raven
03. Death Song
04. Cup of Peace
05. Eyes of A God
06. Act II
07. Freedom Above
08. This Is How
09. Endless Night













On the Web:














Canadian noise rockers Tunic premiere intense single "Blessed" from forthcoming Self Sabotage Records debut

"Off f**king kilter but totally on point!" -- CvltNation

"A quick-moving monument to disaffection. Shades of post-hardcore and noise rock come together in the spirit of cooperative aggression." -- The Obelisk

"Their own unique brand of noise rock and hardcore... Eleven tunes of feedback-laden mastery laid over churning blows of drums and bass." -- Pure Grain Audio


Canadian noise rock trio Tunic share a new single from their forthcoming album today via Pure Grain Audio. Hear and share "Blessed" HERE. (Direct Bandcamp.)

Tunic recently premiered the hallucinogenic and oddly disorienting video for "Dry Heave" via The Obelisk HERE. (Direct YouTube.) CvltNation previously launched lead single "Nothing Nothing" HERE. (Direct Bandcamp and Soundcloud.)


Tunic launches European tour dates next week, followed immediately by North American dates in Spring 2019. Please see current dates below. 

Tunic is born of spite. After years of touring someone else's bass lines across the globe, David Schellenberg was told he wasn't good enough. So he did the only logical thing: buy a guitar, quit your long-time band, and abandon everything you think you know about music. Armed with no skill and a blissfully ignorant embrace of discordant noise, Schellenberg started crafting songs, quickly enlisting childhood acquaintance Sam Neal on drums and roommate Rory Ellis on bass. 

Over the past 4 years and half a dozen DIY releases, Tunic has managed to unleash and tame their unique blend of noise rock and hardcore. Relentless touring has taken them across Canada, Europe and the States, filling clubs, basements, and abandoned prisons with noise. The band released the single Teeth Showing on Toronto's Buzz Records in 2018, which they toured with new drummer Dan Unger.

Tunic's debut album Complexion was recorded in six days in their hometown of Winnipeg, Manitoba with Montreal-based engineer and producer Jace Lasek (Suuns, Land of Talk, Wolf Parade). Complexion picks up where previous releases left off; 11 songs of feedback-laden filth laid over churning blows of drum and bass. Harsh verses about hurting those you never meant to hurt; choruses that sever ties where you never thought you had to. This is unconventional hardcore. This is broken indie rock. This is naïve art.

Complexion will be available on LP, CD and download on February 8th, 2018 via Self Sabotage Records (Pre-order at Big Cartel-Self Sabotage).

TUNIC LIVE:
Feb 01, 2019 - The Handsome Daughter, Winnipeg, MB, CAN
Feb 11, 2019 - Magasin 4, Brussels BE
Feb 13, 2019 - Le Cirque Electrique, Paris FR
Feb 14, 2019 - Raymond Bar, Clermont Ferrand, FR
Feb 15, 2019 - Le Farmer, Lyon, FR
Feb 16, 2019 - Joe Koala, Bergamo, IT
Feb 18, 2019 - Freakout, Bologna, IT
Feb 19, 2019 - Osteria Al Castello, Chiuppano, IT
Feb 20, 2019 - Magazzino Paralello, Cesena, IT
Feb 21, 2019 - Eterotopia, San Giuliano Milanese, IT
Feb 22, 2019 - G.O.B., Viareggio, IT
Feb 24, 2019 - 100-as Klub, Budapest, HU
Feb 25, 2019 - Dvorana Gustaf, Maribor, SLO
Feb 26, 2019 - Fluc, Vienna, AU
Feb 27, 2019 - Eternia, Prague, CZ
Feb 28, 2019 - Bajkazyl Brno, Brno, CZ
Mar 01, 2019 - Ann and Pet, Linz, AU
Mar 02, 2019 - Alte Hyovereinsbank, Oettingen, DE
Mar 03, 2019 - Secret show, Sulzbach-Rosenberg, DE 
Mar 04, 2019 - Dynamo, Zurich, CH 
Mar 07, 2019 - Capri Bar, Breman, DE
Mar 09, 2019 - Le Petit Bitu, Namur, BE
Mar 13, 2019 - SXSW, Austin, TX
Mar 14, 2019 - SXSW, Austin, TX
Mar 15, 2019 - SXSW, Austin, TX
Mar 16, 2019 - SXSW, Austin, TX
April 16, 2019 - 7th Street Entry, Minneapolis, MN*
April 17, 2019 - Vaudeville Mews, Des Moines, IA* 
April 18, 2019 - Gabe's, Iowa City, IA*
April 19, 2019 - Art-in, Madison, WI*
April 20, 2019 - X-Ray Arcade, Milwaukee, WI* 

* w/ Blessed




Artist: Tunic
Album: Complexion
Record Label: Self Sabotage Records / Super Secret Records
Release Date: February 8th, 2019

01. Nothing Nothing
02. Envious
03. Getting Sick
04. Evan
05. Sand
06. Dry Heave
07. Blessed
08. Empty Handed
09. Paper
10. Pores
11. Frontal Lobe








On the Web: