NYC noisy, guttural rock'n'rollers Mick's Jaguar share first single from forthcoming RidingEasy Records debut

New York City rock 'n' roll sextet Mick's Jaguar announce their forthcoming debut album on RidingEasy Records today, sharing the first single. Hear and share "Blood On The Snow" via YouTube. Rock and roll is dead in New York City. Long live New York City rock and roll. Mick's Jaguar is bringing noisy, wild, unafraid big rock back to NYC. Crazy rents, corporatized venues, and kids listening to DJ's: it's hard being a band in this town.  This isn't LA and Mick's Jaguar is a product of their environment: a windowless dungeon practice space 20 feet below the trash covered sidewalk of the Lower East Side. Rats, grime, the sounds of the city; Mick's Jaguar gleefully pillages the history of rock music to create thoroughly modern, but classic rock and roll. Not quite punk, but not metal either, this is hard rock and roll that's been put through the brain blenders of 6 musicians who pair their Judas Priest shirts with Steely Dan hats. They claim no musical lineage to New York - they just live there. If you need to compare them to something, the night AC/DC played CBGB's would be about as close as you can get.  The group formed as a drunken Rolling Stones cover band, and after a few years of mainlining Stones songs and playing sporadic shows marred by violence and sprayed by beer, they started writing originals that attracted the attention of RidingEasy Records. And their new album, Fame and Fortune, sounds absolutely nothing like the Stones. The three guitarists -- yes three guitars -- open the album with a riff of buzzsaw intensity that would make a Ramone proud. But then like Jim Morrison sashaying into a wine shop, it drunkenly careens into a big sounding rock and roll album somewhere in between Van Halen and Tres Hombres. Guitar solos abound, Thin Lizzy harmonies soar, the bass and drums make a groove that will shake the asses on the dance floor and put a rumble in your loins. Songs about life, death, cars, blood, murder, sex, drugs and booze are the world of Mick's Jaguar. Don't forget - this is what rock and roll is all about. Listen close and you'll hear hat tips to your bands, Mick's Jag knows their history and likes to rip it apart.  Recorded in Brooklyn at Figure 8 Recording by engineering wizard Philip Weinrobe, and fueled by a steady diet of Allen's Coffee Brandy, the Fame And Fortune sessions resulted in only one hospital visit and it just might be your favorite album of 1978, 1988, or 2018. This is music that's made for listening to while driving fast in your car, and while relaxing at the local strip club. It's okay to have fun. Cute indie bands make everyone puke. That shit stops now. Let there be rock. Fame and Fortune will be available on LP, CD and download on June 22nd, 2018 via RidingEasy Records. Preorders are available at ridingeasyrecs.com  MICK'S JAGUAR LIVE: 04/19 Montreal, QC @  Théâtre Sainte Catherine  w/ Nightseeker, Luger 05/11 Brooklyn, NY @ Saint Vitus  w/ Them Evils

Artist: Mick’s Jaguar

Album: Fame and Fortune

Label: RidingEasy Records

Release Date: June 22, 2018

01. The Real Boss

02. Pay to Play

03. Where We Go

04. Here Comes the Night

05. Blood On the Snow

06. Hellride

07. Damnation

08. Country & Punk

09. Call the Guy

10. New Orleans Blues

On The Web:

ridingeasyrecords.com

facebook.com/MicksJaguar 

instagram.com/micksjaguar

micksjaguar.bandcamp.com

Heat Exchange from 'Brown Acid: Sixth Trip' compilation of rare 60s-70s pre-metal singles premieres via Ultimate Classic Rock

"So rare that diehard fuzz junkies say you'd have a better chance of winning the lottery than finding a physical 45 rpm single by one of the bands featured on their latest installment." -- Dangerous Minds

"Will do for hard rock, proto-metal and heavy psych what Nuggets did for garage rock, and bring it to a wider audience of collectors and music fans." -- The Guardian

"We're huge fans of the Brown Acid series... Think of it as a companion to the essential Nuggets compilation but covering artists and records that never made it out of their hometowns." -- Ultimate Classic Rock

The forthcoming latest edition of the popular compilation series of long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid: The Sixth Trip, is set for release on April 20, 2018. Hear & share a new track today via Ultimate Classic Rock, "Inferno" by Heat Exchange HERE. (Direct YouTube.)

Paste Magazine recently premiered the first single, "No Parking" by Gold HERE. (Direct YouTube HERE) CvltNation also shared "Luvin', Huggin' & More" by Flight HERE. The series is curated by L.A. label RidingEasy Records and retailer/label Permanent Records. 

About Brown Acid: The Sixth Trip:

This time around we have 10 deep cuts from across the continental US of A and one from our neighbors up North. This Trip kicks off with an outrageous number from Gold out of San Francisco circa 1970. The band used to open their sets with this over-the-top frantic jammer which is absolutely mind-blowing and also leads one to believe that the only band that could've held a candle to Gold back in the day would've been the mighty Blue Cheer.

As we delve deeper into the depths, Canadians continue to prove that they could bang heads with the best of 'em!  Heat Exchange from Toronto released the rollicking ripper "Inferno" on the Yorkville label way back in 1968 and it's still thumping almost 50 years later! Missouri isn't a state that brought us a lot of heavy 45s, but there are a handful of outstanding tracks from the Show Me State, one of which is the funk-laced anthem "Give Me Time" by Backwood Memory from Kansas City. 

The longer we do this, the more we begin to believe that Youngstown, Ohio was the Hard Rock Mecca back in the day.  Travis is yet another Youngstown group that aimed to get asses out of seats and out in the streets.  "Lovin' You" is a groovy banger with a sultry riff originally released on the prolific Starshine Productions imprint. Six years prior to his Arcadian synth-funk novelty hit "Space Invaders" from 1980, Victor "Uncle Vic" Blecman took Flight into the studio with a list of relationship requirements.  Amongst which are his need for "Luvin', Huggin', & More", with emphasis on the "More" part if we're to believe the urgency with which he delivers this fist-pumper.

If you don't immediately recognize the Truth & Janey moniker, you need to get with it and familiarize yourself with their incredible 1976 LP No Rest For The Wicked. It's a proto-metal masterpiece that's been reissued on Rockadrome.  Released four years earlier than their debut LP, "Midnight Horseman" is a 45-only track backed with a cover of "Under My Thumb". Another Iowan group, West Minist'r, self-released three 45s between 1969 and 1975. They're all great in their own way, but "My Life" hit the crunchy sweet spot in '71 with vocals sounding like a fresh from primal scream therapy John Lennon over a zonked-out Hendrix groove. You can count on hearing more from West Minist'r on future Trips.

It's nearly impossible that Dayton, Ohio's Purgatory didn't seize the "Strange Days" and join "The Soft Parade" while "Waiting for the Sun".  And although "Polar Expedition" wears its influences on its sleeve, 1969 would have been at least a little worse off if the band hadn't self released this single. Johnny Barnes was definitely "smokin' that reefer" and "drinkin' that wine" when he released "Steel Rail Blues" in 1976. The label states that you could order a copy of this 45 for by sending $1 to a PO Box in Boston and it's the only record on the Brown Acid series that seems to be obtainable currently for about the same amount it was sold for over three decades ago. That said, it's doubtful that it will remain so cheap for much longer.

With a track as heavy as "Is There No Peace" it's easy to let the name of the label on this 45 slide.  In Chicago in 1970 PSLHRTZ seemed like as good a label name as any for the guys in Zendik to release this insane recording on. Halfway through the track you might be wondering to yourself, "How was this not a hit?", and then you hear the lyrics to the last bit of the song and understand. 

About the Brown Acid series:

Some of the best thrills of the Internet music revolution is the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a century -- particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins -- often hoarding them in private collections, or selling at ridiculous collector's prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks collected on Brown Acid: The Sixth Trip. 

Lance Barresi, co-owner of L.A./Chicago retailer Permanent Records has shown incredible persistence in tracking down a stellar collection of rare singles from the 60s and 70s for the growing compilation series. Partnered with Daniel Hall of RidingEasy Records, the two have assembled a selection of songs that's hard to believe have remained unheard for so long. 

"I essentially go through hell and high water just to find these records," Barresi says. "Once I find a record worthy of tracking, I begin the (sometimes) extremely arduous process of contacting the band members and encouraging them to take part. Daniel and I agree that licensing all the tracks we're using for

Brown Acid is best for everyone involved," rather than simply bootlegging the tracks. When all of the bands and labels haven't existed for 30-40 years or more, tracking down the creators gives all of these tunes a real second chance at success. 

"There's a long list of songs that we'd love to include," Barresi says. "But we just can't track the bands down. I like the idea that Brown Acid is getting so much attention, so people might reach out to us."

Brown Acid: The Sixth Trip will be available everywhere on LP, CD and download on April 20th, 2018 via RidingEasy Records. Pre-orders are available for digital (with immediate download of the first single) at Bandcamp, physical pre-orders at RidingEasy Records. 

Artist: Various Artists Album: Brown Acid: The Sixth Trip  Label: RidingEasy Records Release Date: April 20, 2018 01. Gold "No Parking" 02. Heat Exchange "Inferno" 03. Travis "Lovin' You" 04. Enoch Smoky "It's Cruel" 05. Backwood Memory "Give Me Time" 06. Flight "Luvin, Huggin & More" 07. Truth & Janey "Midnight Horsemen" 08. West Minst'r "My Life" 09. Purgatory "Polar Expedition" 10. Johnny Barnes "Steele Rail Blues" 11. Zendik "Is There No Peace?" On The Web: www.ridingeasyrecords.com

Russian quintet Aesthesys premiere new track from forthcoming album via Heavy Blog Is Heavy

"A lush and beautiful centerpiece to an epic and sprawling masterpiece of dramatic compositions." -- New Noise "A welcome addition to the world of grandiose and magnanimous, yet emotionally dark, post-rock." -- Decibel "Nothing short of brilliant. Aesthesys are simply very good at creating rich tapestries and balancing all of the elements therein." -- Heavy Blog Is Heavy Moscow, Russia quintet Aesthesys share a new track from their forthcoming sophomore album Achromata today via Heavy Blog Is Heavy. Hear and share "Grauer Wald" HERE. (Direct Soundcloud and Bandcamp.) Aesthesys recently were interviewed by Decibel Magazine in which they shared the single "Melanocardia" HERE. New Noise Magazine previously launched the album's first single, "Marea" HERE. (Direct Soundcloud and Bandcamp.) Alongside the album's epic, dramatic tunes, the song titles also coincide with a fictional short story that accompanies the release. Read the full story HERE.  Aesthesys is an instrumental outfit based in Moscow, Russia. Founded by Nik Koniwzski as a one-man project back in 2007, it has eventually evolved into an ensemble performing post-rock music with ambient and neoclassical influences by becoming a quartet in the end of 2011, with Eldar Ferzaliev, Dmitry Solopov and Arsentiy Karpov joining as guitarist, bassist and drummer. By early 2013 band expanded with Victor Krabovich joining as keyboardist.  In the next years Aesthesys performed live across many European countries, including at the biggest post-rock festivals of Europe - dunk!festival (Belgium) and Astral (Russia), and shared the stage with such bands as God is an Astronaut, 65daysofstatic, Maybeshewill, And So I Watch You From Afar, Ef, sleepmakeswaves and many others.  After the release of Ascendere in 2013, their further strive for experimentation eventually resulted in line-up changes, and with Sasha Coudray as a bassist and Nikita Sarukhanov as a drummer they started to work on the material for Achromata, expanding their touring geography with Asia after their solo China Tour in 2016.  In recent years they have worked with Jamie Ward (Maybeshewill, Dark Dark Horse) and Ian Shepherd (Royal Philharmonic Orchestra, Deep Purple, King Crimson, Keane).  The current lineup consists of Sasha Coudray (bass guitar), Artem Taganov (drums), Eldar Ferzaliev (guitar), Victor Krabovich (guitar, keyboards) and Nik Koniwzski (violin, keyboards, guitar).  Achromata will be available to download on April 3rd, 2018. The LP vinyl version will be released July 7th, 2018 in limited edition on Narshardaa Records. Pre-orders are available HERE.  AESTHESYS TOUR: 04/05 Moscow, Russia @ Gorod 04/07 St. Petersburg, Russia @ Fish Fabrique Nouvelle 04/21 Minsk, Belarus @ Brugge

Artist: Aesthesys Album: Achromata Label: Self-released Release Date: April 3rd, 2018 01. Grauer Wald 02. Filis Aureis 03. Marea 04. Himmelbarn 05. Melanocardia 06. Sapatha 07. Apogeion 08. Eosfyllon On The Web: aesthesys.com facebook.com/Aesthesys instagram.com/aesthesysband

Henry Kaiser / Chris Cogburn / Ingebrigt Håker Flaten / Bob Hoffnar group shares 1st track from forthcoming album

"An expressionistic, free-form fusion alternating between aggressive musical pile-ons and anti-gravitational space sections." -- Austin Chronicle

The quartet of spectacular musicians Chris Cogburn / Ingebrigt Håker Flaten / Bob Hoffnar / Henry Kaiser share the first track from their forthcoming collaboration today alongside an interview with Austin Chronicle. Hear and share "The Shadow Over Overkill" HERE. (Direct Soundcloud, Bandcamp.)

The interview includes great quotes from veteran guitarist Kaiser discussing the project (which he defines as "just rock'n'roll") and its contrast to most music today. Kaiser says of mainstream pop music: "It's indie rock that's about as experimental as Perry Como." 

En Las Montañas de Excesos is the unease & frisson of scaling a mountain, a trek with long moments to peer over the edge or stare far off into your thoughts. From the collective fingertips & minds of drummer/percussionist Chris Cogburn (SSBT), prolific bassist Ingebrigt Håker Flaten (The Young Mothers; Atomic), composer & pedal steel guitar maestro Bob Hoffnar (The Mood Illusion; Indoor Life) & renowned guitar experimentalist Henry Kaiser, the album is a towering edifice of free rock, fusion and new music.

In its digital format, the album is four unedited peaks; the LP version is two contiguous sides (of combined edited peaks). Coming out Friday, 6 April via Self Sabotage Records (Pre-order at Big Cartel-Self Sabotage).

Chris Cogburn - drums

Ingebrigt Håker Flaten - electric bass

Bob Hoffnar - pedal steel guitar

Henry Kaiser - electric guitar

Recorded April 3, 2015 at Congress House Studio (Austin TX)

engineering: Andre Moran & Mark Hallman

mixing: Simon Tassano & Henry Kaiser

re-mastering: Jeremy Goody & Henry Kaiser at Megasonic Sound (Oakland CA)

LP mastering: Rob Halverson at Halversonics Recording (Austin TX)

art direction & cover painting: Brandy Gale

production: Henry Kaiser

Artist: Chris Cogburn / Ingebrigt Håker Flaten / Bob Hoffnar / Henry Kaiser Album: En Las Montañas de Excesos Record Label: Self Sabotage Records Release Date: April 6th, 2018 01. The Shadow Over Overkill 02. The Colour Out Of Superfluity 03. The Luxuriance Horror 04. The Dream Quest Of The Unknown Plethora 05. En Las Montañas de Excesos, part I 06. En Las Montañas de Excesos, part II On the Web: http://selfsabotagerecords.bigcartel.com

BlackWater HolyLight premiere track via Paste Magazine from alt-tuned gloom, heavy psych, gothic drama debut on RidingEasy Records

"Flat out it’s one of the best heavy psych debut albums you’ll hear in 2018." -- The Obelisk

"This quartet has been burning up stages all around their hometown, fueled by their abrasive blend of doom metal, psych rock, goth and a tangy soupçon of pop music... They landed a spot on the 2018 Best New Band poll in alt-weekly Willamette Week, but could quickly take over the world." -- Paste Magazine "They mesh elements of doom, Krautrock and atmospheric indie into one bewitching rock whole." --Classic Rock Magazine Portland, OR quartet BlackWater HolyLight share a new track from their forthcoming self-titled debut album today via Paste Magazine. Hear and share "Willow" HERE. (Direct YouTube.) The Obelisk recently launched "Wave of Conscience" HERE. (Direct YouTube.) The album's first single, "Sunrise" launched this winter, is available to hear and share via YouTube HERE.  The notion of "heavy music" is continuing to expand of late, with many intrepid artists finding new ways to incorporate the power of traditional metal into new music, but without all of its trappings. Enter Portland, OR quartet BlackWater HolyLight to further swirl musical elements into a captivating hybrid of emotional intensity. Heavy psych riffs, gothic drama, folk-rock vibes, garage-sludge and soaring melodies all collide into a satisfying whole with as much contrast as the band's name itself.  "I wanted to experiment with my own version of what felt 'heavy' both sonically and emotionally," says founder and vocalist/bassist Allison (Sunny) Faris. "I also wanted a band in which vulnerability of any form could be celebrated." BlackWater HolyLight -- Faris, guitarist/vocalist Laura Hopkins, drummer Cat Hoch and synth player Sarah Mckenna -- formed upon the breakup of Faris' longtime band and she sought a fresh start. "In my last band I was the only female in a group of 6, so I wanted to see how my song writing and vulnerability could glow taking the drivers seat and working with women." The band's self-titled debut begins with a simple, almost grunge-like riff as a chorus of voices introduce a melodic line in call-and-response until the band kicks in, slowly building into crescendo like a lost outtake from Led Zeppelin's Houses of the Holy. Elsewhere, "Sunrise" begins with a chorus-drenched post-punk groove until a sonic boom of heavily distorted guitar skree erupts out of nowhere. Nearly as suddenly, the song returns to its lulling core, subtly building the tension until it ruptures completely in a blast of noise. Likewise, "Carry Her" establishes a dark, sparse melody and distinctly thin sounding drums not far removed from early work of The Cure. However, BlackWater HolyLight's penchant for surprise attack finds a sudden shift into a doom-like dirge, colored with eerie synth notes and pounding shards of fuzz. Throughout the album, their songs shirk traditional verse-chorus-verse structure in favor of fluid, serpentine compositions that move with commanding grace. The band expertly, yet subconsciously, incorporates hints of Chelsea Wolfe, Celebration, Captain Beefheart, The Raincoats, The Stooges, Pink Floyd, Jane's Addiction and more to form their unique brand of dark'n'heavy transcendence.. BlackWater HolyLight was recorded by Cameron Spies at Gold Brick Studios and The Greenhouse, and with Eric Crespo at Touch Tourcher Recording in Portland. The album will be available on LP, CD and download April 6th, 2018 via RidingEasy Records. Preorders are available for LP & CD at www.ridingeasyrecs.com and digital at blackwaterholylight.bandcamp.com. BLACKWATER HOLYLIGHT LIVE: 03/24 Boise, ID @ Treefort Music Festival 04/12 Portland, OR @ Mississippi Studios

Artist: BlackWater HolyLight Album: BlackWater HolyLight Label: RidingEasy Records Release Date: April 6th, 2018 01. Willow 02. Wave of Conscience 03. Babies 04. Paranoia 05. Sunrise 06. Slow Hole 07. Carry Her 08. Jizz Witch On The Web: ridingeasyrecs.com instagram.com/blackwaterholylight

Shooting Guns premiere video 'Vampires of Industry' via Exclaim! Netflix hit 'WolfCop' composers & Juno Prize nominees' new album

"The instrumental psych-rock band knows how to choogle, burn and rip like Hawkwind thrown into the middle of a Mad Max set. That's why director Lowell Dean tapped Shooting Guns to score Wolfcop, a 2014 horror-comedy that's exactly as ridiculous/awesome as you think it is." -- NPR

"Heavy, droning, and trancelike, owing as much to Electric Wizard as it does early Pink Floyd, and their work in film is obvious once you listen to the cinematic nature of the song." -- Metal Insider

Canada's award-nominated psych 6-piece Shooting Guns premiere the official video for "Vampires of Industry" from their recently released album Flavour Country today via Exclaim! Watch and share "Vampires of Industry" directed by Parker Thiessen HERE. (Direct YouTube.)

The official video for album title track "Flavour Country" previously launched HERE. (Direct YouTube.) Hear & share the entire album via Bandcamp and YouTube (either link cleared for posting.) 

Shooting Guns is known (and oft-nominated) for their film soundtrack work, but Flavour Country is more like a collection of anthems for your jettison from this universe into the multiverse. 

While they're known for heavy and saturated sounds befitting crazed horror-comedy flicks like Netflix hit WolfCop, Flavour Country features some of the band's fastest, heaviest and most visceral material to date. Yet, it also features some of the band's most atmospheric sounds as well. 

At times there are slight hints of Ennio Morricone's Spaghetti Western twang amidst the looping Meddle-era Pink Floyd heavy psych and driving drone reminiscent of Bobby Beausoleil's belladonna laced soundtrack to Kenneth Anger's Lucifer Rising. But for the most part here, Shooting Guns is out for blood, regardless of tempo. 

Album opener "Ride Free" kicks off with a blistering wall of guitars blaring and rattling out of the gate like mutant progeny to fellow Canadian biker-rock heroes Steppenwolf having duly fired all of the guns, exploded into space and returned to hunt down every last one of us. It accelerates from there: "French Safe" sounds like an unhinged battalion of musicians driving full throttle like a scene from a George Miller Road Warrior movie. Biting, lengthier tracks like "Simian Shelf" and the title track occupy the heavy end of the psychedelic spectrum, haunting the foggy moor between early, bluesy Sabbath-styled doom riffery and heavy pulse-riding kraut-rock.

Flavour Country is the first album recorded by the band themselves at their own Pre-Rock Studios in Saskatoon, SK, located in the middle of the Canadian prairies. The album title's spelling is itself a nod to the band's Great White North homeland. The album was mastered by John McBain (ex-Monster Magnet, Carlton Melton), who also mastered the band's previous RidingEasy releases. 

Shooting Guns have toured over 60,000 miles across Canada over the past 7 years but have yet to tour Internationally, which will be a big focus for them after this release. They are touring their live score to F.W. Murnau's Nosferatu across Canada throughout 2017 and also just finished scoring the soundtrack to Another WolfCop (sequel to WolfCop), which is slated for a US theatrical release in September 2017. Their sophomore LP, Brotherhood of the Ram, released in 2013 through RidingEasy Records was nominated for the 2015 JUNO Metal/Hard Album of the Year as well as the Polaris Music Prize. Their debut LP, Born To Deal in Magic: 1952-1976, was also nominated for the Polaris Music Prize in 2012.

Flavour Country is available on LP, CD and download as of August 11th, 2017 via RidingEasy Records. 

Artist: Shooting Guns  Album: Flavour Country  Label: RidingEasy Records  Release Date: August 11, 2017 01. Ride Free 02. French Safe 03. Beltwhip Snakecharmer  04. Vampires of Industry  05. Flavour Country 06. Black Leather Jacket  On The Web: shootingguns.ca shootingguns.bandcamp.com facebook.com/shootinggunsband ridingeasyrecords.com

Death Wheelers share 'bikespoitation' themed new single via Metal Injection from upcoming RidingEasy debut album

"Sounds like it belongs in a scene out of Easy Rider.... Like what would be played during the epic bank robbery climax scene." -- Metal Injection

Canadian heavy rock instrumentalists The Death Wheelers share a new track from their forthcoming full length debut I Tread On Your Grave today via Metal Injection. Hear and share "Black Crack" HERE. (Direct YouTube.)

CvltNation recently shared the title track "I Tread On Your Grave" HERE.

Heavily inspired by the aesthetics and ethos of bikesploitation movies such as The Wild Angels, Werewolves on Wheels and Psychomania, The Death Wheelers seek to glorify this unsung era of movie making through their sordid sounds. Taking musical cues from rock's greats such as Davie Allan, The Cramps, Motörhead, The Stooges and Grand Funk Railroad, the Death Wheelers perpetrate the tradition of heaviness by making zero compromises when it comes to laying down the groove. Through their bare bone, stripped down, jammy approach of their very own brand of sleaze n' roll, this instrumental Canadian quartet pushes the listeners to their deepest, filthiest carnal/sexual desires. 

I Tread On Your Grave is more than just an album -- it's devised to serve like the soundtrack to a wild B-movie in your mind, following this truly awesome plot synopsis:

Decimated in 1972 by local authorities, all members of The Death Wheelers, a notorious motorcycle club, have been buried at the Surrey cemetery. But the time has come and they have risen for their last ride. They're back from the grave and they're hungry for blood! Nothing can stop this gang of living dead from recruiting new members as they travel coast to coast to find the filthiest, nastiest, trashiest individuals to join their ranks. Their goal, assemble a legion of 13 "discycles" (disciples+cycles) to seek revenge on the pigs that dismantled the club and send them to their graves. The cycle of violence continues...

Yes, please! Their debut LP, a sonic desecration dedicated to the dead, is an ode to the earlier days of rock 'n' roll when lust and danger were an integral part of the scene and culture. This violent offering of pure aural aggression, recorded full band with no bells and whistles or studio trickery, is a testament to what The Death Wheelers stand for: rawness and power. 

I Tread On Your Grave will be available on LP, CD and download on May 11th via RidingEasy Records. Pre-orders are available at RidingEasyRecs.com.

Artist: The Death Wheelers Album: I Tread On Your Grave Label: RidingEasy Records Release Date: May 11th, 2018 01. I Tread On Your Grave 02. 13 Discycles 03. Roadkill 04. Sleazy Rider Returns 05. Deaf Wheelers 06. Black Crack 07. Moto Vampiro 08. Purple Wings 09. Backstabber 10. RIP (Last Rie) 11. Moby Dick 1 On The Web: ridingeasyrecs.com facebook.com/thedeathwheelersband