Tuesday, September 29, 2020

Brown Acid series drops politically-charged 1969 soul/hard rock track "Dancing In The Ruin," rare 60s-70s pre-metal singles compilation series returns

"So rare that diehard fuzz junkies say you'd have a better chance of winning the lottery than finding a physical 45 rpm single by one of the bands featured on their latest installment." -- Dangerous Minds

"Will do for hard rock, proto-metal and heavy psych what Nuggets did for garage rock, and bring it to a wider audience of collectors and music fans." -- The Guardian

"Mining the surprising rich reserves of heavy rock and proto-metal from the '60s and '70s, these collections have been crucial to understanding the history of a subgenre of rock that had far deeper roots than most fans realize." -- Paste Magazine


The forthcoming eleventh edition of the popular compilation series featuring long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid: The Eleventh Trip will be available October 31st, 2020. Today, you can hear and share the soul-laced hard rock of Debb Johnson's 1969 track "Dancing In The Ruin" via YouTube and Bandcamp. See below for more about the song.

Metal Injection previously shared the first single, "Diamond Lady" by Larry Lynn HERE

The Brown Acid series is curated by L.A. label RidingEasy Records and retailer/label Permanent Records. Read interviews with the series curators via Paste Magazine HERE and LA Weekly HERE. 

About  The Eleventh Trip:

This Trip opens with Adam Wind's "Something Else," featuring groovy crooning and a very acid-damaged guitar riff that meanders across key signatures like it ain't no thing. This 1969 single by the Tacoma, WA band predates grunge by 20 years, but the band's heavy psych and murky tones are just the stuff Northwest heroes Mudhoney sought so fervently at their peak. Lead singer Leroy Bell's excessive vibrato gives the tune its charm, but the heavy breakdown in the middle is the real payoff. 

Boston bruisers Grump return to the series with a previously unreleased dose of raw soul layered in greasy horns, plucky harmonized guitar leads and chirping organs on "I'll Give You Love." The track packs twice the punch of their cover of Elvis Presley's classic "Heartbreak Hotel" heard back on The Eighth Trip, itself a fan favorite. 

Stevens Point, WI is the actual origin of Bagshot Row, a little-known band taking its name from a street in The Hobbit. However, they sound much less fantasy obsessed than their name suggests and more akin to Sugarloaf of "Green Eyed Lady" fame. Their swaggering "Turtle Wax Blues" of 1973 will put some extra hair on your feet and send you searching for this lone 45 single like a ring that possesses magical powers to control all of Middle Earth (or at least Middle America.)

Larry Lynn's "Diamond Lady" is the B-side to his 1970 single "Back On The Street Again." Larry Leonard Ostricki adopted his stage name while performing with The Bonnevilles in the mid-1950s in Milwaukee, WI, and later with The Skunks. Larry Lynn's eponymous band explored bluesy psychedelic rock from 1969 to 1978, only to reunite in 2009 and they still perform to this date. 

Renaissance Fair take things in a very weird, very fun and undeniably heavy direction with an insanely distorted organ that sounds like a monstrous vacuum cleaner over dirge rhythms and growling vocals on their - we reiterate - weird 1968 track "In Wyrd." Think if someone left a copy of The Doors' Strange Parade out to warp in the sun on a blown-out toy record player, and then visiting space creatures attempted to imitate what they'd heard. 

Chicago, IL's Zendik bring it all back down to Earth with their politically-charged 1970 firestorm "Mom's Apple Pie Boy" which echoes the unabashed rage of The MC5 and anthemic sarcasm of CCR's "Fortunate Son." The band's only publicly released single "Is There No Peace" (previously heard on Brown Acid: The Sixth Trip) boasts the proto-punk refrain "God is dead!" This equally direct polemic was recorded during the same sessions, but unreleased until now. 

The opening cowbell of Daybreak's kicked back 1977 rocker "Just Can't Stay" affirms that the boogie is back on this swaggering nugget of FM-ready rock from San Mateo, CA. "Just Can't Stay" closes the band's lone 4-song EP, and the band delivered on the promise, vanishing into the ether shortly thereafter. 

West Minist'r of Fort Dodge, IA make their desires clear on "I Want You" with an undeniably driving riff and particularly beefy sounding synth leads that would fit in fine on Sabbath Bloody Sabbath. The song, originally released on Magic Records, is the B-side to "Sister Jane" and the band's last of three singles issued between 1969 and 1975. 

Debb Johnson of Saint Louis Park, MN is a BAND, not an individual member of the band. The 7-piece group featured a full horn section and three-part harmonies on their 1969 self-titled album. The backstory on their name is: three of the group's seven members shared the last name Johnson, so they then took the first letters of the last names of the other four members and combined them into the word "debb." The politically minded "Dancing In The Ruin" speaks a truth all-too-familiar to this day backed by a brand of wailing acid rock crossed with Buddy Miles' Expressway To Your Skull style funk. 

Crazy Jerry sends us off on a high note with "Every Girl Gets One," featuring crunching riffs, rollicking electric piano, stop 'n' start rhythms and a curious telephone call sounding like a creepy answer to the Big Bopper's "Chantilly Lace." Crazy Jerry is the alter-ego of guitarist Jerry Ciccone, who can also be heard on a few soul/funk and rock records from the 70s, including The Left Banke's second album. But here, Jerry is...well, simply crazy. 

About the Brown Acid series:

Some of the best thrills of the Internet music revolution is the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a century -- particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins -- often hoarding them in private collections, or selling at ridiculous collector's prices. Legendary compilations like NuggetsPebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks collected on
Brown Acid

Lance Barresi, co-owner of L.A./Chicago retailer Permanent Records has shown incredible persistence in tracking down a stellar collection of rare singles from the 60s and 70s for the growing compilation series. Partnered with Daniel Hall of RidingEasy Records, the two have assembled a selection of songs that's hard to believe have remained unheard for so long. 

"I essentially go through hell and high water just to find these records," Barresi says. "Once I find a record worthy of tracking, I begin the (sometimes) extremely arduous process of contacting the band members and encouraging them to take part. Daniel and I agree that licensing all the tracks we're using for
Brown Acid is best for everyone involved," rather than simply bootlegging the tracks. When all of the bands and labels haven't existed for 30-40 years or more, tracking down the creators gives all of these tunes a real second chance at success. 

"There's a long list of songs that we'd love to include," Barresi says. "But we just can't track the bands down. I like the idea that Brown Acid is getting so much attention, so people might reach out to us."

Brown Acid: The Eleventh Trip will be available everywhere on LP, CD and download on October 31, 2020 via RidingEasy Records. Pre-orders are available for digital (with immediate download of the first single) at Bandcamp, physical pre-orders at RidingEasy Records





Artist: Various Artists
Album: Brown Acid: The Eleventh Trip 
Label: RidingEasy Records
Release Date: October 31, 2020

01. Adam Wind "Something Else" 
02. Grump "I'll Give..."
03. Bagshot Row "Turtle Wax Blues" 
04. Larry Lynne "Diamond Lady" 
05. Renaissance Fair "In Wyrd"
06. Zendik "Mom's Apple Pie Boy”
07. Daybreak "Just Can't Stay" 
08. West Minist'r "I Want You" 
09. Debb Johnson "Dancing In The Ruin"  
10. Crazy Jerry "Every Girl Gets One” 









Tuesday, September 22, 2020

PG.LOST announce new album on Pelagic Records, share first track "E22"

"At the top of the list of post-metal and rock for me, always delivering emotional, clever, and inimical works of emotive, atmospheric, and surprisingly heavy music. You are not going to want to miss this one." -- Heavy Blog Is Heavy



Swedish quartet  PG.LOST announce their first album in 4 years today, sharing the first single via Heavy Blog is Heavy. Hear and share "E22" HERE. (Direct links for all streaming platforms HERE.)

This is PG.LOST’Oscillate  -- the band’s latest LP packed to the gills with pure drama and catharsis. Their fifth overall and first effort since 2016’s much lauded Versus, Oscillate leans on an instrumental approach and while their keen understanding oftension/release may warrant comparison to the likes of MONO, Explosions in the Sky and Godspeed You! Black Emperor, PG.LOST is unafraid to move into exciting new directions. With influences that range from the emotional heft of Big Thief to the inventive spirit of krautrock to the brutality of Neurosis to the dark experimentalism of COIL, these heavier elements intertwine and open up into wide-eyed expansiveness of Fennesz or Tim Hecker, revealing a beauty shimmering underneath and a range of depth rarely found in today’s over-compressed and spit-shined version of “modern music.”

In making the new LP, PG.LOST opted to keep it simple and follow their gut. “On the previous records we have always tried to make it very basic and clean when it comes to production, not too many overdubs or add-ons,” reveals bassist Kristian Karlsson. “This time was more about not thinking about that at all. We don’t try to over analyse our records -- it always starts with one or two songs and they often set the mood of the rest of the writing process. I think this album has more layers to it -- you hear new things every time you listen. We’re really looking forward to hearing what the listeners think.”

Kicking off with a blossoming dark ambient passage on the title track, an ascendant guitar/synth part builds tension until final release is achieved with a massive chorus, wavesof eye-opening guitars and elephantine tribal drums. It’s emblematic of the album as a whole -- massive in scope and even larger in sound, Oscillate is the true definition of its title with incredibly tense swells to the point of collapse leading to a slow but pensive disintegration. And again. And again. Oscillate is not just instrumental music, it’s cinematic -- it’s high drama, executed in IMAX with a pristine soundtrack blasting at 120db.

Due in November via Pelagic Records, the LP was recorded by the band in their own studio, and mixed/mastered by Magnus Lindberg from Cult of Luna. In creating the LP, the only hurdle seemingly was an internal one and making efficient use of individual scheduling. “When we formed the band we spent almost every night in the rehearsal space,” recalls Karlsson. “Nowadays we only rehearse for tours or when we plan to have writing sessions for example upcoming records. It is not as spontaneous as it used to be, but I think it forces us to really make the best out of it when we do see each other.”

Founded in 2004 in Norrköping, Sweden, PG.LOST is Mattias Bhatt, Martin Hjertstedt (ex-Ghost), Gustav Almberg (The Great Discord) and Kristian Karlsson (Cult of Luna). Formed in pursuit of a singular love of post-rock, ambient and shoegaze with a bent towards post-metal, the band released their self-titled and the Yes, I Am EPs in 2006 and 2007. From there PG.LOST dropped their 2008 LP It's Not Me, It's You! quickly followed by 2009’s In Never Out, Key, the Wang Wen split LP and Versus followed in 2012, 2013 and 2016 respectively. Sovereign in execution and mammoth in scope, Oscillate is ten tracks of pure dramatic bombast and a massive step forward for the decades-old band. The four years away have been worth it. 

Oscillate will be available on LP, CD and digital on November 20, 2020. Pre-orders are available HERE




Artist: PG.LOST
Album: Oscillate
Record label: Pelagic Records
Release date: November 20, 2020

01. Oscillate
02. E22
03. Mindtrip
04. Shelter
05. Suffering
06. Waves
07. Eraser
08. The Headless Man


On The Web:




Monday, September 21, 2020

Tool endorsed, L.A. desert rock band ALL SOULS (Desert Sessions, Totimoshi, Black Elk) share new song from forthcoming album

"All Souls appear to model everything based on a simple motto: be efficient and alluring." -- New Noise

"They only sound heavier and more powerful now than they did two years ago." -- Brooklyn Vegan


Los Angeles quartet All Souls share a final single from their forthcoming sophomore album Songs for the End of the World today alongside an in-depth review via The Obelisk. Hear and share "Coming With Clouds" HERE. (Direct Bandcamp.)

A stunning animated video for album track "You Just Can't Win" was released earlier this year. Watch the dark portents via YouTube. Brooklyn Vegan recently premiered lead single "Winds" HERE. Revolver Magazine recently hosted "Twilight Times' HERE

All Souls formed in Los Angeles in the winter of 2016 and have gone from playing local gigs to performing in theaters and arenas. Featuring Tony Tornay (Fatso Jetson, Josh Homme's Desert Sessions, Deep Dark Robot with Linda Perry) Antonio Aguilar and Meg Castellanos (Totimoshi) and Erik Trammell (Black Elk), they were recently hand-picked to tour with Tool, The Jesus Lizard, (the)MELVINS, and Meat Puppets.

All Souls creates songs that are lyrically dark, infused with the band's unique style and perspective on the state of today's world. Their music has been described as intelligent, majestic, exciting and original. They are unafraid to bridge into big open spaces discovering new wastelands; ultimately stepping from dark to light.

Throughout 2016, the quartet -- Aguilar [vocals, guitar], Castellanos [bass, vocals], Trammell [guitar], and Tornay [drums] -- recorded what would become their self-titled full-length debut, All Souls, during intermittent sessions at Sound of Sirens Studio in Los Angeles with producer Toshi Kasai known for his work with Tool, Foo Fighters and (the) MELVINS.

Following tours with the likes of Red Fang, The Sword, Kvelertak, and Torche, the band released All Souls in 2018 via Sunyata -- the label founded by iconic Screaming Trees and Mad Season drummer Barrett Martin. Earmarked by Spaghetti Western-style expanse and rough-and-tumble riffing, the music proudly bears the wild wear-and-tear of the nineties Palm Desert scene with a twist of psychedelic voodoo and metallic edge.

For Aguilar and Castellanos, the music spoke to a dormant primal need that harked back to their time in the fan favorite underground mainstay Totimoshi.

All Souls just-completed second album which they recorded in 2019, Songs for the End of the World, reunites them with Kasai. This follow-up recording is an evolution for the band. Aguilar's distinctive vocals are at times lyrically bleak and deeply personal, set against a musical backdrop that challenges listeners with inventive songwriting and ethereal melodies. Tornay's explosive drumming matched with Trammell's innovative guitar and Castellanos' low end and feminine back-up vocals lend to their power and unique approach. One could say they are connecting the dots between Led Zeppelin to the Pixies, Soundgarden to the Cure all the while carving their own road with authenticity. 

Songs for the End of the World will be available on LP, CD and digital on October 2nd, 2020. Pre-orders are available HERE



Artist: All Souls
Album: Songs for the End of the World
Record label: self-released
Release date: October 2nd, 2020

01. Sentimental Rehash
02. Twilight Times
03. Winds
04. Bleeding Out
05. Death Becomes Us
06. You Just Can’t Win
07. Empires Fail
08. Lights Out
09. Bridge The Sun
10. Coming With Clouds










Links:











Thursday, September 17, 2020

Melted Bodies streaming debut album early via Metal Injection, special livestream event tonight, 9/17 via Twitch

"Throw David Lynch in the pit of a 2020 grind show and the noise that it makes might resemble Melted Bodies... The soundtrack to a radioactive spaghetti western where everyone's throwing up." -- Kerrang

"Like a Dali painting come to life, the music is surreal and unpredictable." -- Ghost Cult


"Crams mathcore, synth pop, 90's alternative, indie, and more into a cohesive musical cocktail. Lathered in sarcasm, tongue in cheek sociopolitical commentary, and caffeinated energy, this record is a true riot." -- Metal Injection

Los Angeles quartet Melted Bodies are streaming their forthcoming debut album Enjoy Yourself today via Metal Injection. Hear and share Enjoy Yourself album HERE. (Direct Bandcamp  and Spotify.)

Earlier this year, the band released their insanely clever video for their single "Ad People." The hilarious video spoofs our vapid Internet content spewing culture and is available to watch and share on YouTube.

Melted Bodies play a very unique performance via Twitch tonight, September 17th at 9pm Pacific. The even is hosted by Superchief Gallery in L.A. Tune in and for more info: www.twitch.tv/superchief_tv

About Melted Bodies:

Melted Bodies creates music for people to propel their limitless potential. We aim to inspire a can-do attitude that's culturally relevant, relatable, safe, and accessible to everyone. Instead of breaking boundaries, let's shatter them into a million mobile-friendly pieces, together. Motion creates emotion, and emotion creates content that challenges our core cultural influencers in our ever-increasingly connected world. 

These are all ideas and themes that we can leverage and take advantage of in the new media democracy. We are here to target influencer content and engage media partners through collective storytelling and game-changing ideas. Autonomous social media helps drive peer to peer authentic engagements that can be tracked and measured to create augmented experiences which can then be leveraged to connect human truths. Our aim is to pander to the needs and wants of these global progressive influencers and pander we will. 

Enjoy Yourself will be available on limited edition vinyl and digital on September 18th, 2020 via Sweatband Records. Pre-orders are available HERE



Artist: Melted Bodies
Album: Enjoy Yourself
Record label: Sweatband Records
Release date: September 18th, 2020

01. Eat Cops
02. 99 Scents
03. Ad People
04. Funny Commercials and The Five Week Migraine
05. Club Anxious
06. Phone Tumor
07. The Abbot Kinney Pedophiles
08. The Rat
09. Helplessness
10. Meat Cleanse


On The Web:









Tuesday, September 15, 2020

R.I.P. offer "Moment of Silence" from forthcoming album on RidingEasy Records

"A disgusting, punk-rock-meets-Black Sabbath shredder that's going to leave a film of filth on any speaker that has the misfortune to output its gnarly sounds." -- Metal Injection

"R.I.P. find a place for '80s and early '90s nostalgia that's not overblown would-be glam or retro-minded thrash, but would nonetheless fit well on a bill next to Slayer during their big-hair days, despite the obvious sonic discrepancies." -- The Obelisk

"Heavy, dirty, filthy rock n’ roll... Dead End is going to catch you in its strong, hairy arms and soothe you with murder in its eyes!" -- CvltNation


Portland, OR 'Street Doom' quartet R.I.P. share a new single from their forthcoming third album
Dead End today on all streaming platforms. Hear and share "Moment of Silence" via Bandcamp
YouTube and Spotify

Metal Injection previously hosted the lead single "Out of Time" HERE. (Direct YouTube.) CvltNation shared title track "Dead End" HERE

When R.I.P. came crawling out of the sewers of Portland, OR four years ago, their grimy, sleazy Street Doom was already a fully formed monstrosity that quickly infected the minds of everyone it encountered. At the time, none of us expected its depravity to take such fierce hold, and yet, here were are, sheltering in place and/or stealthily creeping through a nightmare dystopia that the 80s sci-fi/horror movies foretold. 

Dead End is, ironically, a recharge of the band's sound, bearing influences ranging from John Carpenter films, post-apocalyptic grunge, pro-wrestling attitude and salty lo-fi hip-hop aesthetics to the band's ferocious heavy metal. 

During the three years since the 2017 release of their sophomore album Street Reaper, R.I.P. has been busy tightening their sound and their line up while loosening their grip on sanity - touring the west coast with bands like Electric Wizard and Red Fang, and taking Street Doom overseas for the first time for a month long headlining tour of Europe. These years on the road and the addition of a more aggressive rhythm section have allowed the band to fully break free from their influences and deliver on the promise hinted at on their first two releases. 

For Dead End, R.I.P. worked with legendary producer Billy Anderson, interring onto wax their heaviest and most ambitious album yet. Continuing to move further away from their classic doom influences like Pentagram and Saint Vitus, the band offers a rare blast of originality in a scene rife with formulaic bands. Dead End is a fast and anxious ride where the very idea of doom is put to the test under duress of manic lyrics about death, insanity, and leather, and hook-laden guitar tracks that draw as equally from Nirvana as Black Sabbath.  

Dead End will be available on LP, CD and download on October 9th, 2020 via RidingEasy Records

R.I.P. LIVE:
????????????????



Artist: R.I.P.
Album: Dead End
Label: RidingEasy Records
Release Date: October 9, 2020

01. Streets of Death
02. Judgement Night
03. Dead End
04. Nightmare
05. One Foot In The Grave
06. Death Is Coming
07. Moment of Silence
08. Buried Alive
09. Out of Time
10. Dead Of The Night


On The Web:










Monday, September 14, 2020

Melted Bodies share "Meat Cleanse" track, announce Livestream event on 9/17

"Throw David Lynch in the pit of a 2020 grind show and the noise that it makes might resemble Melted Bodies... The soundtrack to a radioactive spaghetti western where everyone's throwing up." -- Kerrang

"Like a Dali painting come to life, the music is surreal and unpredictable." -- Ghost Cult


Los Angeles quartet Melted Bodies share a new single from their forthcoming debut album Enjoy Yourself today via New Noise Magazine. Hear and share "Meat Cleanse" HERE. (Direct Bandcamp and Spotify.)

Earlier this year, the band released their insanely clever video for their single "Ad People." The hilarious video spoofs our vapid Internet content spewing culture and is available to watch and share on YouTube.

Melted Bodies play a very unique performance via Twitch on Thursday this week at 9pm Pacific. The even is hosted by Superchief Gallery in L.A. Tune in and for more info: www.twitch.tv/superchief

About Melted Bodies:

Melted Bodies creates music for people to propel their limitless potential. We aim to inspire a can-do attitude that's culturally relevant, relatable, safe, and accessible to everyone. Instead of breaking boundaries, let's shatter them into a million mobile-friendly pieces, together. Motion creates emotion, and emotion creates content that challenges our core cultural influencers in our ever-increasingly connected world. 

These are all ideas and themes that we can leverage and take advantage of in the new media democracy. We are here to target influencer content and engage media partners through collective storytelling and game-changing ideas. Autonomous social media helps drive peer to peer authentic engagements that can be tracked and measured to create augmented experiences which can then be leveraged to connect human truths. Our aim is to pander to the needs and wants of these global progressive influencers and pander we will. 

Enjoy Yourself will be available on limited edition vinyl and digital on September 18th, 2020 via Sweatband Records. Pre-orders are available HERE



Artist: Melted Bodies
Album: Enjoy Yourself
Record label: Sweatband Records
Release date: September 18th, 2020

01. Eat Cops
02. 99 Scents
03. Ad People
04. Funny Commercials and The Five Week Migraine
05. Club Anxious
06. Phone Tumor
07. The Abbot Kinney Pedophiles
08. The Rat
09. Helplessness
10. Meat Cleanse


On The Web:









Thursday, September 10, 2020

Death Wheelers streaming forthcoming sophomore album 'Divine Filth' via Metal Injection

"Somehow even crustier than they were on their debut album. The track spans everything from revved-up shred to sludgy breakdowns alongside a bikesploitation-meets-Escape-from-NY-style music video." -- Metal Injection

"A trip down depravity lane that you won’t forget any time soon." -- CvltNation


Canadian heavy rock instrumentalists The Death Wheelers are streaming their forthcoming album Divine Filth in full today ahead of release via Metal Injection. Hear and share Divine Filth HERE. (Direct YouTube and Bandcamp.).

CvltNation recently hosted "Corps Morts" single HERE

From beyond the gutter, The Death Wheelers bring you their second album, the soundtrack to the fictional bikesploitation flick that never was: Divine Filth. Drawing inspiration from instrumental rock, proto-metal, punk and funk, the band embalms the listener in their sonic world of decay, groove and debauchery. Surfing the line between Motörhead, The Cramps and Dick Dale, the Canadian quartet uncompromisingly blends rawness and power in their riff fueled compositions. Recorded entirely in 48 hours in a live setting just like in the good old days, this second opus is a testament to what the band stands for: a no BS attitude spiked with a heavy layer of crass. Just like their previous offering, the album is devised to serve as a soundtrack loosely based on a plot synopsis of a B-movie:

It's 1982. Spurcity is run-down. The crime rate is up and so is drug use. A new kind of kick has hit the streets and it ain't pretty. DTA, a powerful and highly addictive hallucinogenic drug, is transforming its loyal citizens into undead trash. Its users experience an indescribable high, but it leaves them rotting away within days, craving human flesh. No one knows who is dealing this new potent drug, but rumour has it that the motorcycle cult, The Death Wheelers, is behind this concoction. Could this be the end of civilization as we know it? What is motivating this group of psychotic individuals?

The cycle of violence indeed continues with this sordid slab of sounds. So hop on, and enjoy one last ride with The Death Wheelers.

Divine Filth will be available on LP, CD and download on September 11th, 2020 via RidingEasy Records. Pre-orders are available at RidingEasyRecs.com.


Artist: Death Wheelers
Album: Divine Filth
Label: RidingEasy Records
Release Date: Sept 11th, 2020

01. Welcome to Spurcity
02. Ditchfinder General
03. DTA (Suicycle Tendencies)
04. Divine Filth
05. Lobotomobile
06. Corps Morts
07. Murder Machines
08. Motörgasm (Carnal Pleasure)
09. Chopped Back To Life
10. Road Rite
11. Nitrus









On The Web: